So he went back to his tentative romance. She had passed his window and
disappeared into the fog, and there was a reasonable doubt of her ever
returning from it. The Singer in the Fog; thus he would write it down in
his book of memories and sensibly turn the page. Once down-town he would
countermand his order, and that would be the end of it. At length he
came back to the entrance and surrendered the mare. He was about to
cross the square, when he was hailed.
"Hello, Jack! I say, Hillard!"
Hillard wheeled and saw Merrihew. He, too, was in riding-breeches.
"Why, Dan, glad to see you. Were you in the park?"
"Riverside. Beastly cold, too. Come into the Plaza and join me in a cup
of good coffee."
"Had breakfast long ago, boy."
"Oh, just one cup! I'm lonesome."
"That's no inducement; but I'll join you," replied Hillard cheerfully.
The two entered the cafe, sat down, and Merrihew ordered Mocha.
"How are you behaving yourself these days?" asked Merrihew. He drank
more coffee and smoked more cigars than were good for him. He was always
going to start in next week to reduce the quantity.
"My habits are always exemplary," answered Hillard. "But yours?"
Merrihew's face lengthened. He pulled the yellow hair out of his eyes
and gulped his coffee.
"Kitty Killigrew leaves in two weeks for Europe."
"And who the deuce is Kitty Killigrew?" demanded Hillard.
"What?" reproachfully. "You haven't heard of Kitty Killigrew in _The
Modern Maid_? Where've you been? Pippin! Prettiest soubrette that's hit
the town in a dog's age."
"I say, Dan, don't you ever tire of that sort? I can't recall when there
wasn't a Kitty Killigrew. What's the attraction?" Hillard waved aside
the big black cigar. "No heavy tobacco for me in the morning. What's the
attraction?"
Merrihew touched off a match, applied it to the black cigar, took the
cigar from his teeth and inspected the glowing end critically. He never
failed to go through this absurd pantomime; he would miss a train rather
than omit it.
"The truth is, Jack, I'm a jackass half the time. I can't get away from
the glamour of the footlights. I'm no Johnny; you know that. No hanging
round stage-entrances and buying wine and diamonds. I might be reckless
enough to buy a bunch of roses, when I'm not broke. But I like 'em, the
bright ones. They keep a fellow amused. Most of 'em speak good English
and come from better families than you would suppose. Just good
fellowship, you know; maybe a rabbit and a bottle of beer after the
performance, or a little quarter limit at the apartment, singing and
good stories. What you've in mind is the chorus-lady. Not for mine!"
Hillard laughed, recalling his conversation with the policeman.
"Go on," he said; "get it all out of your system, now that you're
started."
Public-domain text, read in full here on John Shaqi.
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