Kuki (Indic people); Lushai (Asian people); Lushai language
Iron Work.--The blacksmith is one of the village officials described in
Chapter III, para. 2. The forge is placed in the middle of the widest
street to lessen the risk of fire; it is only a rough shed with a log
platform in front, which is as favourite a resort for loafers as is
the forge door in England. The bellows consist of two hollow wooden
cylinders in which pistons fringed with feathers are worked up and
down. The lower ends of the cylinders are buried in the ground, side
by side, and from them two bamboo tubes converge, meeting just behind
a stone through which there is a hole; the charcoal fire is placed in
front of this stone, and when the pistons are worked smartly a very
strong draught is obtained. The blacksmith does little more than make
and repair the simple agricultural implements of the village, but I
have heard rumours of some who are capable of making gun locks. I think
the form of bellows and the art of working iron have been introduced by
captives, as the same type of bellows is found in the adjoining plains.
Cloth Manufacture.--Cotton is grown in the jhums. It is cleaned in
a home-made gin, consisting of a frame holding two wooden rollers,
one end of each being carved for a few inches of its length into
a screw, grooved in the opposite way to the other, so that on the
handle being turned the rollers revolve in opposite directions, and
the cotton is drawn between them, the seeds being left behind. The
cotton is then worked by hand into rolls a few inches long, whence it
is spun into the spindle of a rough spinning wheel, or occasionally
a bobbin is used, which, being given a sharp twist, draws the cotton
into a thread by its own weight. This method admits of diligent ones
spinning as they go to and from their jhums. The thread having been
spun, it is thoroughly wetted and then hung in loops some three or
four feet long over a horizontal bar, and stretched by several heavy
bars being suspended in these loops.
Weaving.--The warp is prepared by passing the thread round two smooth
pieces of wood, one of which is fastened to two uprights, while the
ends of the other are attached to the ends of a broad leather band,
which passes behind the back of the weaver as she sits on the ground
and, by leaning back, stretches the threads to the requisite degree
of tightness. The woof is formed by passing to and fro bamboos round
which are wound different coloured threads, which are beaten home
with a well polished batten made of the sago palm.
A very serviceable form of quilt called "puanpui" is made by passing
round every fourth or fifth thread of the warp a small roll of raw
cotton and drawing both ends up. A row of these cotton rolls is put
in after every fourth or fifth thread of the woof, so that on one
side the quilt is composed of closely placed tufts of cotton.
Public-domain text, read in full here on John Shaqi.
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