The Lyrical Dramas of Aeschylus Translated into English VerseAeschylus
General
The Lyrical Dramas of Aeschylus Translated into English Verse
Aeschylus
Aeschylus -- Translations into English; Mythology, Greek -- Drama
Besides the championship of the Court of the Areopagus, there is another
political element in this rich drama, which, though of less consequence,
must not be omitted. No sooner had the Persian invaders been fairly
driven back from the Hellenic shore, than that old spirit of narrow
local jealousy, which was the worm at the heart of Grecian political
existence, broke out with renewed vigour, and gave ominous indications
in the untoward affair of Tanagra, of that terrible collision which
shook the two great rival powers a few years afterwards in the famous
Peloponnesian war. Sparta and Athens, opposed as they were by race, by
geographical position, and by political character, after some public
attempts at co-operation, in which Cimon was the principal actor, shrunk
back, as in quiet preparation for the great trial of strength, into a
state of isolated antagonism. But, though open hostility was deferred,
wise precaution could not sleep; and, accordingly, we find the
Athenians, about this time, anxious to secure a base of operations, so
to speak, against Sparta in the Peloponnesus, by entering into an
alliance with Argos. As a genuine Athenian, Æschylus, whatever his
political feelings might be towards Cimon and the Spartan party, could
not but look with {139} pleasure on the additional strength which this
Argive connection gave to Athens in the general council of Greece; and,
accordingly, he dexterously takes advantage of the circumstance of
Orestes being an Argive, to trace back the now historical union of the
two countries to a period where Fancy is free to add what links she
pleases to the brittle bonds of international association.
Such is a rapid sketch of the principal religious and political
relations, some notion of which is necessary to enable the general
English reader to enter with sympathy on the perusal of the very
powerful and singular drama of the Eumenides. The professional student,
of course, will not content himself with what he finds here, but will
seek for complete satisfaction in the luminous pages of Thirlwall and
Grote--in the learned articles of Dr. Smith's Dictionary of Antiquities,
in the notes of Schoemann, and, above all, in the rare Dissertations of
Ottfried Müller, accompanying his edition of the Eumenides--a work
which I have read once and again with mingled admiration and
delight--from which I have necessarily drawn with no stinted hand in my
endeavours to comprehend the Orestean trilogy for myself, and to make it
comprehensible to others; and which I most earnestly recommend to all
classical students as a pattern-specimen of erudite architecture raised
by the hand of a master, from whom, even in his points of most baseless
speculation (as what German is without such?), more is to be learned
than from the triple-fanged certainties of vulgar commentators.
THE EUMENIDES
{141}
[SCENE.--_In front of the Temple of Apollo at Delphi._
Public-domain text, read in full here on John Shaqi.
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