American drama -- 20th century; New York (N.Y.) -- Drama; Political corruption -- Drama; Socialists -- Drama; Tammany Hall -- Drama
Produced by Charles Franks and the Online Distributed Proofreading team
THE MACHINE
By Upton Sinclair
CHARACTERS
(In order of appearance)
JULIA PATTERSON: a magazine writer.
JACK BULLEN: a parlor Socialist.
LAURA HEGAN: Hegan's daughter.
ALLAN MONTAGUE: a lawyer.
JIM HEGAN: the traction king.
ANNIE ROBERTS: a girl of the slums.
ROBERT GRIMES: the boss.
ANDREWS: Hegan's secretary.
PARKER: a clerk.
ACT I
Julia Patterson's apartments in a model tenement on the lower East
Side.
ACT II
Library at "The Towers," Hegan's country place on Long Island, two
weeks later.
ACT III
Hegan's private office in Wall street, the next morning.
THE MACHINE
ACT I
[JULIA PATTERSON'S apartments in a model tenement on the lower East
Side. The scene shows the living-room, furnished very plainly, but in
the newest taste; "arts and crafts" furniture, portraits of Morris and
Ruskin on the walls; a centre table, a couple of easy-chairs, a divan
and many book-shelves. The entrance from the outer hall is at centre;
entrance to the other rooms right and left.]
[At rise: JULIA has pushed back the lamp from the table and is having a
light supper, with a cup of tea; and at the same time trying to read a
magazine, which obstinately refuses to remain open at the right place.
She is an attractive and intelligent woman of thirty. The doorbell
rings.]
JULIA. Ah, Jack! [Presses button, then goes to the door.]
JACK. [Enters, having come upstairs at a run. He is a college graduate
and volunteer revolutionist, one of the organizers of the "Society of
the Friends of Russian Freedom"; handsome and ardent, eager in manner,
and a great talker.] Hello, Julia. All alone?
JULIA. Yes. I expected a friend, but she can't come until later.
JACK. Just eating?
JULIA. I've been on the go all day. Have something.
JACK. No; I had dinner. [As she starts to clear things away.] Don't stop
on my account.
JULIA. I was just finishing up. [As he begins to help.] No; sit down.
JACK. Nonsense. Let the men be of some use in the world.
JULIA. What have you been up to to-day?
JACK. We're organizing a demonstration for the Swedish strikers.
JULIA. It's marvelous how those Swedes hold on, isn't it?
JACK. The people are getting their eyes open. And when they're once
open, they stay open.
JULIA. Yes. Did you see my article?
JACK. I should think I did! Julia, that was a dandy!
JULIA. Do you think so?
JACK. I do, indeed. You've made a hit. I heard a dozen people talking
about it.
JULIA. Indeed?
JACK. You've come to be the champion female muck-raker of the country, I
think.
[JULIA laughs.]
JACK. Why did you want to see me so specially tonight?
JULIA. I've a friend I want you to meet. Somebody I'm engaged in
educating.
JACK. You seem to have chosen me for your favorite proselytizer.
Public-domain text, read in full here on John Shaqi.
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