"A sophisticated brush; no amateur's job," Hood muttered, squinting at
the canvas. "Seems to me I've seen that sort of thing somewhere
lately--Pantaloon, Harlequin, Columbine, and Clown--latest fad in
magazine covers. We're in the studio of a popular illustrator--there's a
bunch of proofs on the table, and those things on the floor are from the
same hand. Signature in the corner a trifle obscure--Mary B. Taylor."
"She may be Babette," Deering suggested. "Suppose I call her and ask?"
Hood, having become absorbed in a portfolio of pen-and-ink sketches of
clowns, harlequins, and columbines, subjects in which the owner of the
studio apparently specialized, paid no heed to the suggestion. When
Deering returned he was gazing critically at a sketch showing a dozen
clowns executing a spirited dance on a garden-wall.
"She's skipped! There isn't a soul on the place," Deering announced
dejectedly.
"Not at all surprising; probably gone to join her model, Pierrette. And
we'd better clear out before we learn too much; life ceases to be
interesting when you begin to find the answers to riddles. Pierrette is
probably a friend of the artist, and plays model for the fun of it. The
same girl is repeated over and over again in these drawings--from which I
argue that Pierrette likes to pose and Babette enjoys painting her. We
mustn't let this affect the general illusion. The next turn of the road
will doubtless bring us to something that can't be explained so easily."
"If it doesn't bring us to Pierrette--" began Deering.
"Tut! None of that! For all you know it may bring us to something
infinitely better. Remember that this is mid-May, and anything may happen
before June kindles the crimson ramblers. Let us be off."
Half-way across the living-room Deering stopped suddenly.
"My bag--my suitcase!" he shouted.
A suitcase it was beyond question, placed near the door as though to
arrest their attention. Deering pounced upon it eagerly and flung it
open.
"It's all right--the stuff's here!" he cried huskily.
He began throwing out the packets that filled the case, glancing
hurriedly at the seals. Hood lounged near, watching him languidly.
"Most unfortunate," he remarked, noting the growing satisfaction on
Deering's face as he continued his examination. "Now that you've found
that rubbish, I suppose there'll be no holding you; you'll go back to
listen to the ticker just when I had begun to have some hope of you!"
"It was Pierrette that took it; it couldn't have been this artist girl,"
said Deering, excitedly whipping out his penknife and slitting one of the
packages. A sheaf of blank wrapping-paper fluttered to the floor. His
face whitened and he gave a cry of dismay. "Robbed! Tricked!" he groaned,
staring at Hood.
Hood picked up the paper and scrutinized the seal.
"S. J. Deering, personal," he read in the wax. "You don't suppose that
girl has taken the trouble to forge your father's private seal, do you?"
Deering feverishly tore open the other packages.
Public-domain text, read in full here on John Shaqi.
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