The Madness of Philip, and Other Tales of ChildhoodBacon, Josephine Daskam
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The Madness of Philip, and Other Tales of Childhood
Bacon, Josephine Daskam
Children -- Fiction
Let us think of pleasant things! Peas are so small if you count them by
ones! If people considered whenever they gobbled peas so quickly that
every one had to be shelled by one poor, tired little girl! But no, they
eat them without a thought of how she sat in the little tight chair and
rattled them into the pan. If they were only rich enough to leave the
chair and the peas and the farm and go to a city! What city? Oh, New
York or Boston or Persia. In Persia the days are full of richness and
the nights are Arabian. Along the streets walk veiled and lovely
women—does it matter that to the Child their veils are of the dull blue
cotton that wreathes her mother’s hat? By all the Persian monarchs,
no!—driving black dogs and white hinds, followed by turbaned slaves and
glaring eunuchs, with misty genii hovering in the background. They enter
a frowning portal—but let us pretend!
This is Persia. The streets are narrow; the people jostle and crowd to
one side a little girl in a blue-checked apron. She walks along unknown,
unnoticed. Wait! Who is this? It is a slave in a turban with a scimitar
flashing with jewels. He bows low.
“I am bidden to tell you that your presence is desired by my master,
lovely maiden!” The lovely maiden looks haughtily at him.
“I will follow you, Slave,” she says. They go on to a low narrow door.
The slave says a magic word and the door swings open. Through a long
passage and a great hall they go. There bursts upon them a radiance of
light. Flowers fill the air with an unearthly fragrance. Golden goblets
and ruby pitchers stand on silver salvers with “dried fruit, cakes, and
sweetmeats, which give an appetite for drinking.” Lovely slave girls
lead the maiden to the bath, and attire her in rich and costly robes.
They seat her in a golden chair and give her a bowl of seed-pearls to
string. (These are the pearls.) She lifts her lovely head and says in a
voice of silver music, “Where is your master?”
“Lady,” says one of the slaves, bowing low, “he comes.” She hears the
feet of the approaching prince; she dares not raise her eyes. How will
he look? What gift will he bring? She sinks her hands deep in the
pearls. Ah, what is that? A great sweet-bough drops in the pan.
“Your gran’ma wants them peas!” says the prince in genial rebuke. Alas!
And did Haroun-al-Raschid speak through his nose?
The Child stares at him, dazed.
[Illustration: “_These are the pearls._”]
“These—these are pearls!” she says. “I am stringing them for my girdle!
Does your Highness desire that I should wear this—this _carbuncle_?”
His Highness laughs loud and long.
“It’s a sweet-bough,” he chuckles, “and I guess you better eat it right
up, now.” One moment of wavering: shall awful wrath come upon this
desecrator of the soul’s best rites, or good fellowship and feasting be
given him? She scowls, she shrugs her aproned shoulders, she glances
from beneath her lashes, she smiles.
Public-domain text, read in full here on John Shaqi.
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