Large sapphires are more frequently found than large rubies and Dr.
Chambers mentions one discovered in 1853 in the alluvium a few miles
from Ratnapoora, which was valued at over £4000 sterling. A large
specimen, three inches long, is mentioned by Professor J. D. Dana as
being in the possession of Sir Abram Hume. In the Green Vaults at
Dresden several great specimens are shown. The large “Saphir
merveilleux” which Mr. Hope exhibited at the London Exhibition in
1851—known as the “Hope Sapphire”—was blue by day-light and amethyst
colour by nightlight. This gem was last said to be in the Russian
Treasury. This sapphire has nothing in common with the blue
cobalt-coloured artificial spinels known as “Hope Sapphires.” Dr. G. F.
H. Smith mentions several large stones, the most notable being one of
950 carats which was reported to be in the King of Ava’s treasury in
1827. The weight of the Rospoli rough sapphire in the Jardin des Plantes
is 132 carats. The Duke of Devonshire has a fine sapphire of 100 carats,
brilliant cut above the girdle of the stone, and step cut below. From
the earliest times the sapphire had the reputation of a holy gem.
Solinus says that “it feels the air and sympathizes with the heavens,
shining not the same if the sky be bright or obscured.” The ancients
held the gem sacred to Phœbus, not as a personification of the Sun,
but rather as explained by Dr. Alexander S. Murray (Department of Greek
and Roman Antiquities in the British Museum) as follows:
“From the sun comes our physical light, but that light is at the same
time an emblem of mental illumination, of knowledge, truth and right, of
all moral purity: and in this respect a distinction was made between it
as a mental and a physical phenomenon—a distinction which placed
Phœbus Apollo on one side and Helios on the other. Accordingly
Phœbus Apollo is the oracular god who throws light on the dark ways
of the future, who slays the Python—that monster of darkness which made
the oracle at Delphi inaccessible. He is the god of music and song which
are only heard where light and security reign and the possession of
herds is free from danger.” This is the ideal of the sign Aquarius,
astrologically considered, and students of the old science well know
what Solinus implies when he says that the gem of the sign Aquarius
“feels the air and sympathizes with the heavens” for this sign of “air,”
of fine ethereal forces, of “outer airs,” of fine subtle substances,
etc., is also the sign of Heaven and the Heavens.
Public-domain text, read in full here on John Shaqi.
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