While the precious and semi-precious stones were often worn as amulets
or talismans, the belief in the magic quality of mineral substances was
not confined to them, but was also held in regard to large stone masses
of peculiar form, or having strange markings or indentations; moreover,
many small stones, possessing neither worth nor beauty, were thought to
exert a certain magical influence upon natural phenomena. An occult
power of this sort was also attributed by tradition to some mythical
stones, the origin of this fancy being frequently explicable by the
quality really inherent in some known mineral bearing a designation
closely similar to that bestowed upon the imaginary stone.
To certain stones has been attributed the power to produce musical
tones, the most famous example being the so-called “Vocal Memnon” of
Thebes. This colossal statue was said to emit a melodious sound when the
sun rose, and according to Greek legend this sound was a greeting given
by Memnon to his mother, the Dawn. It appears, however, that the statue
was a respecter of persons, for when the Emperor Hadrian presented
himself before it, he is said to have heard the sound three times,
whereas common mortals heard it but once, or at most twice, while
occasionally the statue withheld its greeting altogether. A modern
traveller relates a personal experience that may cast a side-light upon
this matter. His visit to Thebes was made in the evening, but a fellah
who was standing near the statue asked him whether he wished to hear the
musical sound. Of course the reply was in the affirmative. Thereupon the
man climbed up the side of the colossal figure and hid himself behind
the elbow. In a moment sharp metallic sounds became audible; not a
single sound, but several in succession. Knowing from their quality that
they could not proceed from the stone, the traveller asked his
donkey-boy for an explanation and was told that the man was striking an
iron bar. In ancient times the priests probably performed this or a
similar trick in a much more skilful way than did the poor fellah, so
that the mystery of the statue was carefully guarded.[1]
Public-domain text, read in full here on John Shaqi.
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