The Magic of SpainBell, Aubrey F. G. (Aubrey Fitz Gerald)
History
The Magic of Spain
Bell, Aubrey F. G. (Aubrey Fitz Gerald)
Spain -- Description and travel; Spanish literature -- History and criticism
that this is no country of comfort and soft languorous delight, but of a
quaint and forcible originality, where the most jaded mind may be braced
and inspirited and find a fresher and more stirring life.
In Spain the sharpness of contrasts precludes any feeling of weariness
or satiety. There are regions of luxuriant growth and African sun
bounded by mountains of eternal snow. Through the plain a river glides
among orange groves and grey olives; in the shaded _patios_ of the city
silver fountains keep the air cool and fresh, and on the coldest night
in winter the temperature is still some degrees above the
freezing-point. Yet here, in the most fiery heat of summer, we may lift
up our eyes to the hills and look on the snowy sierra against the deep
blue of the sky; and if a shower, in this region of little rain, falls
upon the low-lying districts, it adds but another coat of whiteness to
the neighbouring range. It is indeed a strange and fascinating land, a
_Land voll Sonnenschein_ and fierce blinding light, yet a land of
shrill, piercing blasts and icy air, a land of many various elements
both of climate and population. It is no wonder that its inhabitants are
of a character strongly individual and preserve the original Iberian
strain. A racy pithiness of speech is theirs. In no country are proverbs
more common, and a string of them can indeed form a peasant’s
conversation, pungent as the rosaries of red _piments_ that hang on the
balconies of farms.
It was in Spain that the rogue-story, the _novela de pícaros_,
originated, and the Spanish novelists of the last thirty years have
given free rein to the local types of various parts of Spain. Nowhere
has provincialism continued to be so clearly marked. In other countries
better communications have corrupted the local manners into a conformity
of excellence. In Spain the nature of the country, with its rough
mountain barriers and turbulent unnavigable rivers, still protects
originality and keeps the character of the provinces distinct, and the
native of Andalucía continues to despise the native of Galicia and to be
ridiculed by the native of Castille. This does not make for material
prosperity, but it constitutes a country of the picturesque and
unexpected, a country where imagination is not dead, and where the
artist and poet find their true home. Not the least attraction to them
perhaps is the Spanish improvidence and absence of method, and the gay
living from hand to mouth. An unwary traveller in the wilder districts
may easily find himself half-perishing from scarcity of food, and lost
in an intricate labyrinth of ways between far-distant villages. “A bad
thing, sirs, it is to have a lack of bread,” sang the poet of the
twelfth-century _Poema del Cid_. The hardy peasant of the poorer
regions lives scantily from day to day on the product of the niggard
soil, won by patient labour. The peasant in more fertile parts does not
necessarily fare better, but he labours magnificently less. The
Public-domain text, read in full here on John Shaqi.
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