In Lesbos the skulls of oxen or other horned creatures are fixed upon trees or sticks to avert the evil eye from the crops and fruits.[24] In Mongolia the horns of antelopes are prized on account of their alleged magical properties; fortune-tellers and diviners affect to derive a knowledge of futurity by observation of the rings which encircle them. The Mongols set a high value upon whip-handles made from these horns, and aver that their use by horsemen promotes endurance in their steeds.[25] Inasmuch as the horns of animals serve as weapons both for attack and defense, they were early associated in men’s minds with the idea of power. Thus in ancient times the corners of altars were fashioned in the shape of horns, doubtless in order to symbolize the majesty and power of the Being in whose honor sacrifices were offered.[26] Apropos of horns as symbols of strength, the peasants of Bannú, a district of the Punjab, believe that God placed the newly created world upon a cow’s horn, the cow on a fish’s back, and the fish on a stone; but what the stone rests upon, they do not venture to surmise. According to their theory, whenever the cow shakes her head, an earthquake naturally results.[27] The Siamese attribute therapeutic qualities to the horns and tusks of certain animals, and their pharmacopœia contains a somewhat complex prescription used as a febrifuge, whose principal ingredients are the powdered horns of a rhinoceros, bison, and stag, the tusks of an elephant and tiger, and the teeth of a bear and crocodile. These are mixed together with water, and half of the resulting compound is to be swallowed, the remainder to be rubbed upon the body.[28] The _mano cornuta_ or anti-witch gesture is used very generally in southern and central Italy. Its antiquity is vouched for by its representation in ancient paintings unearthed at Pompeii.[29] It consists in flexing the two middle fingers, while the others are extended in imitation of horns. When the hand in this position is pointed at an obnoxious individual, the malignity of his glance is believed to be rendered inert.[30] In F. Marion Crawford’s novel, “Pietro Ghisleri,” one of the characters, Laura Arden, was regarded in Roman society as a _jettatrice_, that is, one having the evil eye. Such a reputation once fastened on a person involves social ostracism. In the presence of the unfortunate individual every hand was hidden to make the talismanic gesture, and at the mere mention of her name all Rome “made horns.” No one ever accosted her without having the fingers flexed in the approved fashion, unless, indeed, they had about them some potent amulet. It is a curious fact that the possession of the evil eye may be imputed to any one, regardless of character or position. Pope Pius IX. was believed to have this malevolent power, and many devout Christians, while on their knees awaiting his benediction, were accustomed slyly to extend a hand toward him in the above-mentioned position.[31]