The magic ring, Vol. 1 (of 3)La Motte-Fouqué, Friedrich Heinrich Karl, Freiherr de
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The magic ring, Vol. 1 (of 3)
La Motte-Fouqué, Friedrich Heinrich Karl, Freiherr de
German fiction -- Translations into English; Romances
I also remember that, on the evening to which I have alluded, you were
so eloquent in praise of the Baron, that we were detained till it was
too late to go to the opera,--and therefore walked up and down in the
long _allée_, under the lime-trees, for nearly two hours, during which
time you went on analyzing and commending every one of his numerous
productions. Among these, you expressed your special admiration of
his “Hero of the North,” and “Eginhard and Emma;” both of which, you
insisted, were animated by the true spirit of chivalry and romance,
and that in an English dress they would be excellent, either in their
dramatic form, or remodelled into prose novels. But, as I expressed my
dislike to dramatic poems which were unfit for the stage, you proceeded
to mention the Baron’s other narrative works, such as “Waldemar the
Pilgrim,” “Thiodulf’s Wanderings,” “Bertrand de Guesclin,” and many
more, which, though favourites of yours, are altogether unknown in this
country.
At last we came to speak of the “Magic Ring,”--the only one of our
author’s works which I had then seen, and which I had only glanced
at very hastily;--and you naturally asked me how it happened, that
although “Undina,” “Sintram,” and even the “Minstrel Love,” were
translated into English, this romance had been hitherto neglected?
To this I replied, that the “Sintram” and “Undina” were, even in the
translation, interesting tales of wonder;--but that, on the contrary,
the beauties of the “Magic Ring,” which are so much admired by a
German reader, depended on certain characteristic features, which a
translator could never impart, unless by means of a _remaniement_ or
_rifacimento_. These peculiarities were, first, the Baron’s accurate
imitation of the quaint, rude style of the old romancers; secondly, the
melody of his verses, in which the thoughts are far too shadowy to be
embodied in our language; thirdly, his allegorical representations and
historical allusions, which no English reader could well comprehend,
especially as the author has not furnished a proper key to unfold their
meaning.
These objections, especially the last, you treated with indifference;
and although my own opinion (that a _remaniement_ would have been far
better than a translation) remains unaltered,--yet, having resolved to
translate the “Magic Ring” by way of experiment, I have adopted, as
nearly as possible, the method you suggested for its execution.
Public-domain text, read in full here on John Shaqi.
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