The magic ring, Vol. 3 (of 3)La Motte-Fouqué, Friedrich Heinrich Karl, Freiherr de
Science
The magic ring, Vol. 3 (of 3)
La Motte-Fouqué, Friedrich Heinrich Karl, Freiherr de
German fiction -- Translations into English; Romances
Bertha stretched out her hand kindly to the emir, and answered, “Good
night, brave and adventurous son of the renowned Hygies. We must
meet early to-morrow, and be prepared for our journey.” “Ay, truly,”
answered Nurreddin; “but I pray you, do not call me as you now did,
the son of Hygies; for though I respect his memory who was ennobled by
such brave exploits, yet the reflection, that he neither brought me to
my mother’s parents, the king and queen at Damascus, nor to his own
home, which remains still unknown, but that I was left amid the wild
wandering Arabs to be educated as chance might direct;--these thoughts,
noble lady, are indeed bitter and painful to my heart; and I am tempted
to think, that though he might well merit his prize of the Damascus
sword, yet he was not deserving of the tender rose-tree, nor the
rose-like maiden.” With these words he bowed respectfully, and left
the veranda.
On the following morning the ships of Nurreddin, with their brazen
beaks and silken streamers, were gleaming in the sun, while the light
breezes gently played amid their snow-white sails. Through a shadowy
walk of the garden, Bertha now came with her extraordinary protector
from the palace towards the sea-shore. As they drew near the gate,
there was heard from the thickets the gentle sound of a harp; and
ere long, words too blended with its notes, and Bertha could not but
listen; for the words were French, and reminded her of past and happy
days. The voice and music were tremulous and mournful; and the minstrel
deplored that he could no longer praise the beauties of the ocean-waves
dancing in the sunshine, the blooming woods and fragrant breezes of the
morning; for now the fairest of flowers, the damsel that had adorned
these woods, was borne far away; and he could only weep, or faintly
sing to his harp, the lamentations of a lonely and despairing lover.
Then it seemed, after this beginning, as if his voice died away in his
grief and sadness, and only low broken notes of his harp were still
heard from amid the shadowy coverts.
Bertha had involuntarily stood still to listen; and the emir, anxious
to fulfil every wish of hers, stopped also, and made a signal that the
slaves who followed them should not move. When the song had thus died
away, and Bertha looked anxiously round for the minstrel, Nurreddin
stepped hastily on through the portal, and, with his eagle-eyes, soon
found out the disconsolate youth with his harp, made a sign that he
should come nearer; and thereafter brought him before the lady, who, to
her great joy, recognised at once the minstrel, Aleard.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account