This is the light in the eyes of dogs, the light that birds and
bees follow, and the jellyfish steering round and round his course.
Something like its quivering flame burns down in the green, dismal
depths of the sea; down in the black subliminal depths; and on down in
the heart of the world. For what other light is it, that guides the
herring every spring, in from the ocean up Weymouth Back River? or the
salmon in from the Pacific, up, high up the Columbia to the Snake, and
higher up the Snake into the deep, dark gorges of the Imnaha?
It is now long past October, and where is the bluebird’s mate of
June? She has forgotten him, and is forgotten by him, but he has
not forgotten his dream-of-her; for I saw him in the orchard, while
southward bound, going in and out of the apple-tree holes, the lover
still, the dream-of-her in his heart, holding over from the summer and
coming to meet him ahead of her, down the winter, out of the coming
spring.
The dog and you and I and even the humble toad are dreamers at heart,
all of us, only we are deeper adream than they.
“If nothing once, you nothing lose,
For when you die you are the same,”
says Freneau to a flower. Yet the flowers are of the dust that I am
made of, and they too are the stuff of dreams. And the toad under the
kitchen-steps, what he knows of my heart! As if the unrequited pain
of lovers, the sweetest, saddest things of poets, had always been his
portion, and their vague melancholy the only measure of his tremulous
twilight song. When the soft spring dusk has stolen into the young eyes
of the day, as the first shadow of some sweet fear into the startled
eyes of a girl, then out of the hush, quavering through the tender
gloom,
“A voice, a mystery!”
From his earth-hole under the kitchen-steps I have known the toad, by
dint of stretching and hitching up on chance stones, to get nine inches
up, nine inches from the surface of the globe, up on the lowest of the
steps! Yet it is given him to pipe a serenade in the gloaming that no
other lover, bird or poet, ever quite equaled, even when he sang,
“I arise from dreams of thee
In the first sweet sleep of night.”
Public-domain text, read in full here on John Shaqi.
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