Which of our poets thinks any more of an adventurous song? Of
attempting any more the unattempted in either prose or rhyme? It is
as if everything had been attempted; everything dared; everything
accomplished--the peaks all preëmpted. Politics or religion or
literature, it matters not: the great days are gone, the great
things are done, the great men securely housed in the Hall of
Fame. Heaven offers us a League of Nations and we prefer the tried
and proved device of war; a famed evangelist comes to town, we
build him a vast tabernacle, and twenty thousand gather for the
quickening message--“Brighten the corner where you are!” And in the
corners, and over the walls of the nation, with poster and placard
the “Safety-First” sign warns us not to hold our little rushlight
over-high, or flare it over-far, for fear we set our brightened corner
of the world on fire. But the whole world is on fire! And wherever an
emperor has escaped the devouring flame, he is fiddling, as emperors
do; and his poet laureate is writing free verse; and all of his
faithful subjects are saying, over and over, “Day by day, in every way,
I am getting better and better.”
“We are taught by great actions that the universe is the property of
every individual in it,” says Emerson. “Every rational creature has all
nature for his dowry and estate. It is his, if he will. He may divest
himself of it; he may creep into a corner, and abdicate his kingdom, as
most men do, but he is entitled to the world by his constitution.” I
have not spoken lately with a man who seemed to think he was entitled
to the world. That grand old faith has passed away. But I talk with no
man lately who does not think he is entitled to an automobile. Great
is Tin Lizzie of the Americans! Greater than Diana of the Ephesians.
But except for our worship of the Ford we are not over-religious. The
Ford is a useful little deity; she meets our needs to the last mile.
The individual can skip and frolic with her, for she is distinctly the
goddess of the plains and rolling country. Admirable to her winking
tail-light, she is one hundred per cent American, the work of one of
the supreme inventive geniuses of our time. She is the greatest thing
in America, chugging everywhere but up Parnassus. Fool-proof, the
universal car, she is the very sign and symbol of our antlike industry,
the motor-minded expression of our internal-combustion age.
Public-domain text, read in full here on John Shaqi.
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