The MagicianMaugham, W. Somerset (William Somerset)
General
The Magician
Maugham, W. Somerset (William Somerset)
Magic -- Fiction; Paris (France) -- Fiction
A few months before this, I had been fortunate enough to make friends
with a young painter who had a studio in the Rue Campagne Première. His
name was Gerald Kelly. He had had an upbringing unusual for a painter,
for he had been to Eton and to Cambridge. He was highly talented,
abundantly loquacious, and immensely enthusiastic. It was he who first
made me acquainted with the Impressionists, whose pictures had recently
been accepted by the Luxembourg. To my shame, I must admit that I could
not make head or tail of them. Without much searching, I found an
apartment on the fifth floor of a house near the Lion de Belfort. It
had two rooms and a kitchen, and cost seven hundred francs a year,
which was then twenty-eight pounds. I bought, second-hand, such
furniture and household utensils as were essential, and the _concierge_
told me of a woman who would come in for half a day and make my _café
au lait_ in the morning and my luncheon at noon. I settled down and set
to work on still another novel. Soon after my arrival, Gerald Kelly
took me to a restaurant called Le Chat Blanc in the Rue d’Odessa, near
the Gare Montparnasse, where a number of artists were in the habit of
dining; and from then on I dined there every night. I have described
the place elsewhere, and in some detail in the novel to which these
pages are meant to serve as a preface, so that I need not here say more
about it. As a rule, the same people came in every night, but now and
then others came, perhaps only once, perhaps two or three times. We
were apt to look upon them as interlopers, and I don’t think we made
them particularly welcome. It was thus that I first met Arnold Bennett
and Clive Bell. One of these casual visitors was Aleister Crowley. He
was spending the winter in Paris. I took an immediate dislike to him,
but he interested and amused me. He was a great talker and he talked
uncommonly well. In early youth, I was told, he was extremely handsome,
but when I knew him he had put on weight, and his hair was thinning. He
had fine eyes and a way, whether natural or acquired I do not know, of
so focusing them that, when he looked at you, he seemed to look behind
you. He was a fake, but not entirely a fake. At Cambridge he had won
his chess blue and was esteemed the best whist player of his time. He
was a liar and unbecomingly boastful, but the odd thing was that he had
actually done some of the things he boasted of. As a mountaineer, he
had made an ascent of K2 in the Hindu Kush, the second highest mountain
in India, and he made it without the elaborate equipment, the cylinders
of oxygen and so forth, which render the endeavours of the mountaineers
of the present day more likely to succeed. He did not reach the top,
but got nearer to it than anyone had done before.
Public-domain text, read in full here on John Shaqi.
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