The Magician's Show Box, and Other StoriesTappan, Caroline Sturgis
Science
The Magician's Show Box, and Other Stories
Tappan, Caroline Sturgis
Children's stories; Fairy tales
“None are poor but those who think themselves rich. How proud I felt
of my first poor little drawings! How well I remember them! The house,
and the fence before it, and the lattice in the garret window, and
then the great elm and the brook, and by degrees the distant hill
behind, for I kept adding to my pictures as I advanced, having to go
back farther and farther for a point of view, till at last the hill on
the outskirts of the village, overlooking the whole, was my favorite
spot for sketching, if I may dignify my stiff little achievements by
such a term. Still it was the house that was the centre of the
picture; but, as Kate says, one thing leads to every thing, and I
found there was no end to the things I must introduce; and yet they
did not seem to belong to the house, but to be fastened to it in some
way. I could not get them off, and remember, when some one was saying
that a painter of his acquaintance could not get his pictures off his
hands, feeling a certain pride in knowing that I was contending with
one of the regular difficulties of the art. But at last I succeeded,
in some degree, in getting my picture right, and did not altogether
disbelieve what every one said at home, that it was beautiful. As I
was led, however, farther and farther back, by the necessity for a
wider view, the house began to have rather a subordinate look; but
still it was my home, and nothing seemed a picture without it. As yet
I had had no instruction, as you would easily believe if you should
see my productions of that period, until one day, as I was bending
over my drawing board, (I was very particular about my drawing paper
then, and always had the best,) and had just got in the house, a shade
fell across my picture, and looking up, I saw a young man with camp
stool and portfolio slung across his shoulder, looking down at my
work. I drew a little back, that he might see it better, rather
pleased that he should see that I also was in that line. He glanced at
the landscape, then looked again at my sketch with a smile. He had not
said a word, and yet the opinion of all my family, aunts, cousins, and
all, admiring my picture on a thanksgiving day after dinner, would not
have weighed a straw with me against that smile. Yet he asked me to go
on with it, which I did lest he should go away, looking up now and
then, and seeing him regarding my work with the half-curious interest
with which one would watch an ant-hill, till at last I threw down my
pencil, and asked him if he would not oblige me with a sketch of his
own.
Public-domain text, read in full here on John Shaqi.
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