The Magician's Show Box, and Other StoriesTappan, Caroline Sturgis
Science
The Magician's Show Box, and Other Stories
Tappan, Caroline Sturgis
Children's stories; Fairy tales
“He gave one look at the landscape. What a look!--it was a new
revelation to me in art,--like an eagle taking in the whole view at
one sweep. He seemed to hold every hill and valley fixed with his eye
as in a vice, and to weigh the place and proportion of every thing as
in a balance, on the firm line of his mouth. All at one glance too;
for, without unstrapping his camp stool, he placed his portfolio on
his knee, kneeling on the other, and hardly looking up twice, handed
me in a few minutes a complete sketch. I say a complete sketch, for I
had not known till then that a sketch may be as complete as a finished
picture. But I forget that my story also must be a sketch, and I will
not spoil it by details which cannot be interesting to you.
“As soon as I saw his sketch, I found, to my astonishment, that he had
left out the house altogether; and even the village he had put away at
one side as of no importance. On mentioning the oversight, he took
out his eye-glass and looked at the house, asking me what particular
importance I attached to it. I timidly replied that I lived there.
“'Ah,' he exclaimed, and apologized for his omission, saying he would
not forget so important a feature in the landscape. 'Come' said he,
'you shall be my guide over these hills, to which I am a stranger.
Let us forget the house for a while, and look up a new view of the
village, which does not come in very well here.' How strange it seemed
to me that he should speak of the village where I had been born, as a
thing to be introduced here or there at his convenience. Already his
words seemed to set it afloat; but when, after a long detour, leaving
it quite out of sight, we came suddenly upon the edge of the mountain,
where the whole valley lay like a toy village almost directly under
our feet, it was like a fairy enchantment. There was the actual
village, every house and garden in its place, so near that it could be
seen distinctly, and yet so far down that it had a foreign look. Then
he took out a spy-glass, and adjusting it, handed it to me. 'Now for
the house,' said he; and after carrying the tube over half the
village, I exclaimed for joy. There I was directly at the gate; it was
at the back of the house, and the forenoon work was going on as
usual. My father was standing at the door giving some silent direction
to the man, who seemed to answer him without saying a word, and Jane
was going about like a historical personage, hanging out clothes.
“It was exactly as if I had been looking at a place I had been reading
about in some old book; and yet the persons were so familiar to me,
more so than ever. I handed the spy-glass to the stranger that he
might share my delight, but he did not care to look. 'That is the
way,' said he, 'all places look to me. To the artist the familiar is
strange, and the strange familiar.'
“I only thought the remark was strange, and wondered if it would ever
be familiar to me.
Public-domain text, read in full here on John Shaqi.
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