“Then he went on to describe the village as if he were looking at it, with me, through the glass. 'Do you see the old woman at the window, looking down the street? And the man asleep on the church steps? And the single figure crossing the green?' Just as if they were all regular figures in a picture, and not people who happened to be there at that moment, as they really were. “'Now for something new!' he said, putting the glass in his pocket and leading me over the mountain. But nothing seemed new to him. He appeared to look at every view we came to as if he saw it for the first time after a long absence, and remembered every tree and stone in it. When I told him so, he sat down, and opening his portfolio in a place unlike any I had ever seen before, and not, I thought, particularly interesting, he began to sketch, and to tell me at the same time, so that I should not be tired, the old story which we have all read, (the first, I believe, we ever read,) but which I let him tell, it was so new as he told it, about the little child that was carried away by the gypsies, and years after, when they came back to his native country, strolled off till he came to the house where he was born; and the sense by degrees came over him that he had been there before, and it all became clearer and clearer, until at last the gate and the doorstep were no dream; and as he went over the whole story, he would give a touch here and a touch there, that seemed to waken a recollection in me, as if I were the little child he was telling about, coming nearer and nearer, till, with a few strokes, he finished the picture; and there, to be sure, was our very house, and I _was_ the little child he had been telling about. It was all perfectly clear to me, though it is a mystery even now how he could have made it so. When I looked again, I saw it was not exactly our house; and yet it looked even more like it than if it had been, and there was nothing in it that I could have altered without spoiling the picture. “Then he would walk on, and sit down again and take another view with a different house, but with the same home-like look, and yet exactly suiting the landscape. And at last he would draw places without any houses at all, and yet as if a human being was looking at them, to whom they were in some way a home, just as he drew my bonnet and portfolio on the edge of a hill, so that any one would have known I was somewhere about. “As we went back, at the close of the day, every object he pointed out seemed to light up with a life of its own, and every step we took was like finding a bird's nest in the grass. He parted with me in the road, saying that he had left his horse somewhere on the hill where he had found me in the morning, and that he should remember the day with pleasure.