The Magistrate: A Farce in Three Acts — John Shaqi
The Magistrate: A Farce in Three ActsPinero, Arthur Wing
General
The Magistrate: A Farce in Three Acts
Pinero, Arthur Wing
Comedy plays; English drama -- 19th century
THE MAGISTRATE
THE PLAYS OF ARTHUR W. PINERO
Paper cover, 1s 6d; cloth, 2s 6d each
THE TIMES
THE PROFLIGATE
THE CABINET MINISTER
THE HOBBY-HORSE
LADY BOUNTIFUL
THE MAGISTRATE
DANDY DICK
SWEET LAVENDER
THE SCHOOLMISTRESS
THE WEAKER SEX
THE AMAZONS
*THE SECOND MRS. TANQUERAY
THE NOTORIOUS MRS. EBBSMITH
THE BENEFIT OF THE DOUBT
THE PRINCESS AND THE BUTTERFLY
TRELAWNY OF THE "WELLS"
+THE GAY LORD QUEX
IRIS
LETTY
A WIFE WITHOUT A SMILE
HIS HOUSE IN ORDER
THE THUNDERBOLT
MID-CHANNEL
PRESERVING MR. PANMURE
THE "MIND THE PAINT" GIRL
* This Play can be had in library form, 4to, cloth,
with a portrait, 5s.
+ A Limited Edition of this play on hand-made
paper, with a new portrait, 10s net.
THE PINERO BIRTHDAY BOOK
SELECTED AND ARRANGED BY MYRA HAMILTON
With a Portrait, cloth extra, price 2s 6d.
_LONDON: WILLIAM HEINEMANN_
THE MAGISTRATE
A FARCE
In Three Acts
_BY ARTHUR W. PINERO_
LONDON: WILLIAM HEINEMANN
_First Impression_ 1892;
_New Impressions_ 1894,
1895, 1897, 1899, 1901,
1903, 1905, 1907, 1909,
1911; 1914
Copyright
All rights reserved
Entered at Stationers' Hall
Entered at the Library of Congress
Washington, U.S.A.
INTRODUCTORY NOTE.
"THE MAGISTRATE" is, after "Sweet Lavender," perhaps the most popular
of Mr. Pinero's plays, and it is particularly interesting as being the
first of his works in which his own individuality found absolutely
independent expression, and emphatically and triumphantly asserted
itself. In fact, this farce marks an epoch in the dramatist's career,
and shows him creating a really new and original order of English
comic play, the further development of which may be traced in the
successive plays which, together with "The Magistrate," formed the
famous Court series of farces, namely, "The Schoolmistress," "Dandy
Dick," and "The Cabinet Minister."
Public-domain text, read in full here on John Shaqi.
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