The Magnificent Lovers (Les Amants magnifiques)Molière
General
The Magnificent Lovers (Les Amants magnifiques)
Molière
Courtship -- Drama; French drama -- 17th century -- Translations into English; Molière, 1622-1673 -- Translations into English
E-text prepared by Delphine Lettau, Lee Chew Hung, and the Project
Gutenberg Online Distributed Proofreading Team (http://www.pgdp.net)
THE MAGNIFICENT LOVERS (LES AMANTS MAGNIFIQUES)
by
MOLIÈRE
Translated into English Prose.
With Short Introductions and Explanatory Notes.
by
CHARLES HERON WALL
The subject of this play was given by Louis XIV. It was acted before
him at Saint-Germain-en-Laye, on February 4, 1670, but was never
represented in Paris, and was only printed after Molière's death. It
is one of the weakest plays of Molière, upon whom unfortunately now
rested the whole responsibility of the court entertainments. His
attack upon astrology is the most interesting part.
Molière acted the part of Clitidas.
PREFACE BY THE AUTHOR.
The King, who will have nothing but what is magnificent in all he
undertakes, wished to give his court an entertainment which should
comprise all that the stage can furnish. To facilitate the execution
of so vast an idea, and to link together so many different things, his
Majesty chose for the subject two rival princes, who, in the lovely
vale of Tempe, where the Pythian Games were to be celebrated, vie with
each other in fêting a young princess and her mother with all
imaginable gallantries.
PERSONS REPRESENTED.
IPHICRATES & TIMOCLES, _princes in love with_ ERIPHYLE.
SOSTRATUS, _a general, also in love with_ ERIPHYLE.
ANAXARCHUS, _an astrologer_.
CLEON, _his son_.
CHOROEBUS, _in the suit of_ ARISTIONE.
CLITIDAS, _a court jester, one of the attendants of_ ERIPHYLE.
ARISTIONE, _a princess, mother to_ ERIPHYLE.
ERIPHYLE, _a princess, daughter to_ ARISTIONE.
CLEONICE, _confidante to_ ERIPHYLE.
_A sham_ VENUS, _acting in concert with_ ANAXARCHUS.
THE MAGNIFICENT LOVERS.
FIRST INTERLUDE.
_The scene opens with the pleasant sound of a great many instruments,
and represents a vast sea, bordered on each side by four large rocks.
On the summit of each is a river god, leaning on the insignia usual to
those deities. At the foot of these rocks are twelve Tritons on each
side, and in the middle of the sea four Cupids on dolphins; behind
them the god AEOLUS floating on a small cloud above the waves. AEOLUS
commands the winds to withdraw; and whilst four Cupids, twelve
Tritons, and eight river gods answer him, the sea becomes calm, and an
island rises from the waves. Eight fishermen come out of the sea with
mother-of-pearl and branches of coral in their hands, and after a
charming dance seat themselves each on a rock above one of the river
gods. The music announces the advent of NEPTUNE, and while this god is
dancing with his suite, the fishermen, Tritons, and river gods
accompany his steps with various movements and the clattering of the
pearl shells. The spectacle is a magnificent compliment paid by one of
the princes to the princesses during their maritime excursion._
Public-domain text, read in full here on John Shaqi.
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