CLEON. Madam, I am come to tell you that Anaxarchus had till now deceived both the princes, with the hope of favouring the choice upon which their souls were bent; and that, hearing what has taken place, they have both given way to their resentment against him, and things growing worse, he has received several wounds, from which it is impossible to say what may happen. But here they are both coming. SCENE IV.--ARISTIONE, ERIPHYLE, IPHICRATES, TIMOCLES, SOSTRATUS, CLEONICE, CLITIDAS. ARI. Princes, you are very quick in avenging yourselves; if Anaxarchus offended you, I was here to do you justice. IPH. And what justice can you have done us, Madam, when you do so little to our rank in the choice you have made? ARI. Had you not both agreed to submit to what the order of the gods or my daughter's inclination might decide in this matter? and of what consequence can the interests of a rival be to you? TIM. Yes, Madam; we were ready to submit to a choice between the Prince Iphicrates and myself, but not to find ourselves both repulsed. It were some consolation to see the choice fall on an equal, but your blindness is something terrible. ARI. Prince, I have no wish to fall out with one who has had the kindness to praise me so much; and I beg of you, in all sincerity, to base your sorrow upon better foundation. Try and remember, I pray, that Sostratus' merit is known throughout Greece, and that by the rank to which the gods raise him to-day the distance between you and him disappears. IPH. Yes, we shall remember it, Madam. But, perhaps, you will be pleased also to remember that two insulted princes may be enemies to be feared. TIM. You may not have long to enjoy the contempt in which you hold us. ARI. I forgive all these threats for the sake of the sorrow of a love which thinks itself insulted; and we will none the less go and see the Pythian Games in all peace. Let us go at once, and let us crown by the glorious spectacle this wonderful day. SIXTH INTERLUDE. _The scene represents a great hall in the form of an amphitheatre, with a grand open arcade at the farther end, above which is a tribune, closed by a curtain, and in the distance is seen an altar prepared for the sacrifice. Six men, dressed as if they were almost naked, each carrying an axe on his shoulder, like executioners of the sacrifice, enter by the portico, to the sound of violins, and are followed by two sacrificers who play, by a priestess, also playing, and by their suite_. BALLET AND DIVERTISSEMENT.