The Magnificent Montez: From Courtesan to ConvertWyndham, Horace
History
The Magnificent Montez: From Courtesan to Convert
Wyndham, Horace
Montez, Lola, 1818-1861
After the cast list had been set out the rest of the reading matter on
the programme was given up to advertisements. Some of them would
appear to have been selected rather at haphazard. At any rate, their
special appeal to music lovers was a little difficult to follow. Thus,
one was of "Jackson's patent enema machines, as patronised by the
nobility (either sex) when travelling"; another of "Mrs. Rodd's
anatomical ladies' stays (which ensure the wearer a figure of
astonishing symmetry";) and another of a "Brilliant burlesque ballad,
'Get along, Rosey,' sung with the most positive triumph every evening
by Madame Vestris."
With much satisfaction, Manager Lumley, taking a preliminary peep at
the crowded house, saw that a particularly "smart" audience was
assembled on the night of June 3. The list of "fashionables" he handed
to the reporters resembled an extract from the pages of Messrs. Burke
and Debrett. Thus, the Royal Box was graced by the Queen Dowager, with
the King of Hanover and Prince Edward of Saxe-Weimar for her guests;
and, dotted about the pit tier (then the fashionable part of the
house) were the Duke and Duchess of Wellington, the Marquess and
Marchioness of Granby, Lord and Lady Brougham, and the Baroness de
Rothschild, with the Belgian Minister, Count Esterhazy, and Baron
Talleyrand. Even the occupants of the pit had to accept an official
intimation that "only black trousers will be allowed." Her Majesty's
had a standard, and Lumley insisted on its observance.
That long familiar feature, "Fops' Alley," having disappeared from the
auditorium, the modish thing for unattached men was to make up a party
and hire an omnibus-box; and from that position to pronounce judgment
upon the legs of the dancers pirouetting in wispy gauze on the stage.
Then, when the curtain fell, they would be privileged to go behind the
scenes and chat with the coryphees.
On the evening of Lola's debut one of the omnibus-boxes was occupied
by Lord Ranelagh, a raffish mid-Victorian roue, who had brought with
him a select party of "Corinthians" in frilled shirts and flowered
waistcoats. It was observed that he paid but languid attention to the
opera. As soon, however, as the promised novelty, _El Oleano_, was
reached, he exhibited a sudden interest and pushed his chair forward.
"We shall see some fun in a moment," he whispered. "Mind you fellows
keep quiet until I give the word."
II
A little ominous, perhaps, that the Haymarket entrepreneur should bear
the same name as the Calcutta judge who had unsuccessfully sought her
hand. But Lola experienced no qualms. As she stood at the wings, in a
black satin bodice and much flounced pink silk skirt, waiting for her
cue, Lumley passed her with a nod of encouragement.
"Capital," he said, rubbing his whiskers. "Most attractive. You'll be
a big success, my dear."
Public-domain text, read in full here on John Shaqi.
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