The Mahabharata of Krishna-Dwaipayana Vyasa Translated into English Prose: Sabha Parva — John Shaqi
The Mahabharata of Krishna-Dwaipayana Vyasa Translated into English Prose: Sabha Parva
Religion
The Mahabharata of Krishna-Dwaipayana Vyasa Translated into English Prose: Sabha Parva
Epic literature, Sanskrit
Langali, the Karatoya, the Atreyi, the red Mahanada, the Laghanti, the
Gomati, the Sandhya, and also the Trisrotasi--these and other rivers
which are all sacred and are world-renowned places of pilgrimage, as
also other rivers and sacred waters and lakes and wells and springs,
and tanks, large or small, in their personified form, O Bharata, wait
upon and worship the lord Varuna. The points of the heavens, the Earth,
and all the Mountains, as also every species of aquatic animals, all
worship Varuna there. And various tribes of Gandharvas and Apsaras,
devoted to music, both vocal and instrumental, wait upon Varuna,
singing eulogistic hymns unto him. And all those mountains that are
noted for being both delightful and rich in jewels, wait (in their
personified forms) in that Sabha, enjoying sweet converse with one
another. And the chief minister of Varuna, Sunabha by name, surrounded
by his sons and grandsons, also attend upon his master, along with (the
personified form) of a sacred water called go. These all, in their
personified forms, worship the deity. O bull of the Bharata race, such
is the assembly room of Varuna seen by me before, in the course of my
wanderings. Listen now to the account I give of the assembly room of
Kuvera.'
SECTION X
"Narada said,--'Possessed of great splendour, the assembly house of
Vaisravana, O king, is a hundred yojanas in length and seventy yojanas
in breadth. It was built, O king, by Vaisravana himself using his
ascetic power. Possessing the splendour of the peaks of Kailasa, that
mansion eclipses by its own the brilliance of the Moon himself.
Supported by Guhyakas, that mansion seems to be attached to the
firmament. Of celestial make, it is rendered extremely handsome with
high chambers of gold. Extremely delightful and rendered fragrant with
celestial perfumes, it is variegated with numberless costly jewels.
Resembling the peaks of a mass of white clouds, it seems to be floating
in the air. Painted with colours of celestial gold, it seems to be
decked with streaks of lightning. Within that mansion sitteth on an
excellent seat bright as the sun and covered with celestial carpets and
furnished with a handsome footstool, king Vaisravana of agreeable
person, attired in excellent robes and adorned with costly ornaments
and ear-rings of great brilliance, surrounded by his thousand wives.
Delicious and cooling breezes murmuring through forests of tall
Mandaras, and bearing fragrance of extensive plantations of jasmine, as
also of the lotuses on the bosom of the river Alaka and of the
Nandana-gardens, always minister to the pleasure of the King of the
Yakshas. There the deities with the Gandharvas surrounded by various
tribes of Apsaras, sing in chorus, O king, notes of celestial
sweetness. Misrakesi and Rambha, and Chitrasena, and Suchismita; and
Charunetra, and Gritachi and Menaka, and Punjikasthala; and Viswachi
Sahajanya, and Pramlocha and Urvasi and Ira, and Varga and Sauraveyi,
Public-domain text, read in full here on John Shaqi.
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