"But with such a wife as Gabrielle," urged the marechal, chafing. "Young, pure, sweet, rich, beautiful. Gracious powers! Was the man marble? What more could mortal require?" Toinon, except in her own love affairs, could be vastly wise. "Alas, dear master," she said, laughing sadly, "sure you have learned by this time that to some perfection is intolerable? Are we not often impelled, being so imperfect ourselves, to love people for their defects? On account of alluring blemishes we agree to overlook their virtues. You must have known men, chained for life to loveliness, who have adored a freckled fright, and gloated in the joy of contrast over the details of her ugliness." The old soldier looked glumly out of window, silent, whereupon the damsel continued. "Of all the stupid old legends, Beauty and the Beast is the silliest. Why. Many a charming woman would have been disgusted when the hideous wretch turned out a handsome prince. What is at the bottom of _mesalliances?_ Why do cultivated women elope with ignorant domestics; leave home and comfort to consort with a lacquey or a groom? Because to some there is a charm in stooping. The act of uncrowning is in itself a pleasure. Perhaps madame is too perfect for the marquis." The marechal admitted, by silence, the truth of the shrewd damsel's discourse. In his own time he had had a wide experience, grave and gay, and was not unaware that a jaded or unhealthy appetite craves for abnormal food. None knew better than he that the insipidity of doll-like prettiness may grow exasperating. We gaze at portraits of the celebrated fair ones of the past, and scanning their queer mouths and noses, conclude that fashions change in beauty as well as costume. We fail to detect the charms of Anne Bullen or Mary Stuart, and we are wrong. Intellect and wit can illumine irregular features as the sun lights up a landscape. Thick lips and a snub nose may be transfigured under the divine rays till they seem a miracle of loveliness.