The Maid of Honour: A Tale of the Dark Days of France. Vol. 2 (of 3)Wingfield, Lewis
History
The Maid of Honour: A Tale of the Dark Days of France. Vol. 2 (of 3)
Wingfield, Lewis
France -- History -- Revolution, 1789-1799 -- Fiction; Historical fiction
What the hapless Gabrielle took for the stir of dormant affection was
no more than an ignoble mixture of shame, remorse, and anxiety. The
conscience of Clovis had dinned into him long since that he was
behaving very ill; that he had espoused a beautiful woman with a fresh
and ardent temperament and a well-lined purse; that, thanks to the
last, he lived in gilded ease, and gave to its owner in exchange
nothing for which she yearned. People are vastly provoking, who
clamorously demand that we have not to bestow. How wearisome are those
who go on repeating, "I want your love and nothing else," when they
ought to know that we have no love to give. Then is sure to follow the
phase of reproaches and tears which is more tiresome still. Clovis,
when conscience pricked, was very sorry for his helpmeet; and sorry
for himself, too, that she should be so worrying. From his point of
view, he was justified in withdrawing from the dining-hall the light
of his comely countenance. How can a man have any appetite with so
rueful a visage opposite? Talk of skeletons at feasts! Here was one at
every meal, because speechless no less eloquent. That which is
unpleasant and can't be helped, it behoves us in self-defence to put
away and forget as quickly as possible. Clovis had (metaphorically)
plunged into the magic tub with Aglaé in order to forget his skeleton.
He knew he was doing wrong, but was equally aware that it was not in
him to do right. Why could not Gabrielle be sensible? If people would
only cultivate that humble virtue common sense, how much more smoothly
life's wheels would run. Why could not she, realizing--perhaps with
pain--that Luna is not in the market as a purchaseable article, sit
quietly down with philosophy, and give up crying for the moon?
Public-domain text, read in full here on John Shaqi.
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