Christian saints -- France -- Biography -- Juvenile literature; Joan, of Arc, Saint, 1412-1431 -- Juvenile literature
Thus little by little she sank into that species of ecstasy in which the
ordinary spiritual functions are suspended and there remain only the
sacred feeling of heavenly contemplation and the free play of the fancy.
It is a condition which differs from actual dreaming only in its danger,
for there is danger that this ecstatic feeling once aroused may become
real, and its possessor may behold illusive pictures of the fancy. The
enthusiast may believe he sees real objects and hears actual voices. He
may believe them to be messages from heaven, never asking himself
whether such fancies will stand the test of reason. Because of ecstasies
like these, deeds have been committed which have darkened the page of
history with everlasting shame. But when these ecstasies arise from
exalted moral ideas they may achieve results which are far beyond mere
human strength and secure imperishable fame for the enthusiast.
Thus it was with this simple child praying at the altar. In her ecstatic
fancy she saw the roof of the church open, and her favorite Saints
Catherine and Margaret floating down through the clouds of incense. She
heard them saying, “Keep thy heart unsullied, Joan, for Heaven has
chosen thee as the champion of France.”
The vision disappeared. The dream was over. But in that instant the
career of this child was determined. She was the subsequent Maid of
Orleans.
Chapter II
The Dauphin and La Hire
By the storm of an April day in the year 1428, four years after the
events related in the preceding chapter, a man was detained at home in
the castle of Chinon.[11] His costume showed that he was of the highest
rank, and the apartment also was furnished in a style of princely
luxury. As it was apparent, however, that these luxurious surroundings
were the survivals of an older period, evidently the present occupant of
the castle either did not care to improve them or could not afford to do
it. As a matter of fact the shabbiness of his own costume favored the
latter inference. The morose expression of his face, which had but
little that was attractive in it, deepened this impression. Nothing
about it indicated any higher ambition than the gratification of his
physical desires. His appearance gave the impression that he was at
least thirty-five years of age, but in reality he was only twenty-six.
This man was the Dauphin of France, afterwards King Charles the Seventh.
Before him stood a young and beautiful woman, whose face was in striking
contrast with his. A dignified royal presence, eyes flashing with spirit
and resolution, womanly gentleness and kindness,—such were the
characteristics portrayed in her beautiful countenance. Some of its
lines indicated troubles of the heart, but her present trouble was of
another kind.
This lady was Marie of Anjou, the proud consort of the Dauphin. They
were both standing, for in the excitement of their conversation they had
evidently risen from their seats.
Public-domain text, read in full here on John Shaqi.
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