Canada -- Fiction; World War, 1914-1918 -- Canada -- Fiction
Produced by Donald Lainson
THE MAJOR
By Ralph Connor
CONTENTS
CHAPTER
I THE COWARD
II A FIGHT FOR FREEDOM
III THE ESCUTCHEON CLEARED
IV SALVAGE
V WESTWARD HO!
VI JANE BROWN
VII THE GIRL OF THE WOOD LOT
VIII YOU FORGOT ME
IX EXCEPT HE STRIVE LAWFULLY
X THE SPIRIT OF CANADA
XI THE SHADOW OF WAR
XII MEN AND A MINE
XIII A DAY IN SEPTEMBER
XIV AN EXTRAORDINARY NURSE
XV THE COMING OF JANE
XVI HOSPITALITY WITHOUT GRUDGING
XVII THE TRAGEDIES OF LOVE
XVIII THE VOICE IN THE WILDERNESS
XIX THE CLOSING OF THE DOOR
XX THE GERMAN TYPE OF CITIZENSHIP
XXI WAR
XXII THE TUCK OF DRUM
XXIII A NEUTRAL NATION
XXIV THE MAJOR AND THE MAJOR'S WIFE
THE MAJOR
CHAPTER I
THE COWARD
Spring had come. Despite the many wet and gusty days which April
had thrust in rude challenge upon reluctant May, in the glory of the
triumphant sun which flooded the concave blue of heaven and the myriad
shaded green of earth, the whole world knew to-day, the whole world
proclaimed that spring had come. The yearly miracle had been performed.
The leaves of the maple trees lining the village street unbound from
their winter casings, the violets that lifted brave blue eyes from the
vivid grass carpeting the roadside banks, the cherry and plum blossoms
in the orchards decking the still leafless trees with their pink and
white favours, the timid grain tingeing with green the brown fields that
ran up to the village street on every side--all shouted in chorus that
spring had come. And all the things with new blood running wild in their
veins, the lambs of a few days still wobbly on ridiculous legs skipping
over and upon the huge boulders in farmer Martin's meadow, the birds
thronging the orchard trees, the humming insects rioting in the
genial sun, all of them gave token of strange new impulses calling for
something more than mere living because spring had come.
Upon the topmost tip of the taller of the twin poplars that flanked the
picket gate opening upon the Gwynnes' little garden sat a robin, his
head thrown back to give full throat to the song that was like to burst
his heart, monotonous, unceasing, rapturous. On the door step of the
Gwynnes' house, arrested on the threshold by the robin's song, stood the
Gwynne boy of ten years, his eager face uplifted, himself poised like a
bird for flight.
“Law-r-ence,” clear as a bird call came the voice from within.
“Mo-th-er,” rang the boy's voice in reply, high, joyous and shrill.
“Ear-ly! Remember!”
“Ri-ght a-way af-ter school. Good-bye, mo-ther, dear,” called the boy.
“W-a-i-t,” came the clear, birdlike call again, and in a moment the
mother came running, stood beside the boy, and followed his eye to the
robin on the poplar tree. “A brave little bird,” she said. “That is
the way to meet the day, with a brave heart and a bright song. Goodbye,
boy.” She kissed him as she spoke, giving him a slight pat on the
shoulder. “Away you go.”
Public-domain text, read in full here on John Shaqi.
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