Canada -- Fiction; World War, 1914-1918 -- Canada -- Fiction
“Glory, glory, hallelujah, his soul goes marching on.” By means of
“double-tongueing,” a recently acquired accomplishment, he was able to
give a full brass band effect to his hymn of freedom. Many villagers
from door or window cast a kindly and admiring eye upon the gallant
little figure stepping to his own music down the street. He was brass
band, conductor, brigadier general all in one, and behind him marched
an army of heroes off for war and deathless glory, invisible and
invincible. To the Widow Martin as he swung past the leader flung a wave
of his hand. With a tender light in her old eyes the Widow Martin waved
back at him. “God bless his bright face,” she murmured, pausing in
her work to watch the upright little figure as he passed along. At the
blacksmith's shop the band paused.
Tink, tink, tink, tink,
Tink, tink-a-tink-tink-tink.
Tink tink, tink, tink,
Tink, tink-a-tink-tink-tink.
The conductor graduated the tempo so as to include the rhythmic beat
of the hammer with the other instruments in his band. The blacksmith
looked, smiled and let his hammer fall in consonance with the beat of
the boy's hand, and for some moments there was glorious harmony between
anvil and mouth organ and the band invisible. At the store door across
the street the band paused long enough simply to give and receive an
answering salute from the storekeeper, who smiled upon his boy as he
marched past. At the crossroads the band paused, marking time. There was
evidently a momentary uncertainty in the leader's mind as to direction.
The road to the right led straight, direct, but treeless, dusty,
uninviting, to the school. It held no lure for the leader and his
knightly following. Further on a path led in a curve under shady trees
and away from the street. It made the way to school longer, but the lure
of the curving, shady path was irresistible. Still stepping bravely to
the old abolitionist hymn, the procession moved along, swung into the
path under the trees and suddenly came to a halt. With a magnificent
flourish the band concluded its triumphant hymn and with the conductor
and brigadier the whole brigade stood rigidly at attention. The cause
of this sudden halt was to be seen at the foot of a maple tree in the
person of a fat lump of good natured boy flesh supine upon the ground.
“Hello, Joe; coming to school?”
“Ugh,” grunted Joe, from the repose of limitless calm.
“Come on, then, quick, march.” Once more the band struck up its hymn.
“Hol' on, Larry, it's plenty tam again,” said Joe. The band came to a
stop. “I don' lak dat school me,” he continued, still immersed in calm.
Public-domain text, read in full here on John Shaqi.
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