“I have been doing a little detective work,” he said. His voice was
low and sepulchral. “And I have come upon a real adventure. There are
reasons why I cannot share it with you, but as it develops you can
follow it. About half an hour ago,” he explained, “I came here to get my
pipe. The window was open. The lattice was only partly closed. Outside
was that young man from Harvard who tried to make my acquaintance,
and the young Englishman who came on board with that blonde.” Kinney
suddenly interrupted himself. “You were talking to her just now,” he
said. I hated to hear him speak of the Irish lady as “that blonde.” I
hated to hear him speak of her at all. So, to shut him off, I answered
briefly: “She asked me about the Singer Building.”
“I see,” said Kinney. “Well, these two men were just outside my window,
and, while I was searching for my pipe, I heard the American speaking.
He was very excited and angry. ‘I tell you,’ he said, ‘every boat and
railroad station is watched. You won’t be safe till we get away from
New York. You must go to your cabin, and STAY there.’ And the other one
answered: ‘I am sick of hiding and dodging.’”
Kinney paused dramatically and frowned.
“Well,” I asked, “what of it?”
“What of it?” he cried. He exclaimed aloud with pity and impatience.
“No wonder,” he cried, “you never have adventures. Why, it’s plain
as print. They are criminals escaping. The Englishman certainly is
escaping.”
I was concerned only for the lovely lady, but I asked: “You mean the
Irishman called Stumps?”
“Stumps!” exclaimed Kinney. “What a strange name. Too strange to be
true. It’s an alias!” I was incensed that Kinney should charge the
friends of the lovely lady with being criminals. Had it been any one
else I would have at once resented it, but to be angry with Kinney is
difficult. I could not help but remember that he is the slave of his own
imagination. It plays tricks and runs away with him. And if it leads him
to believe innocent people are criminals, it also leads him to believe
that every woman in the Subway to whom he gives his seat is a great
lady, a leader of society on her way to work in the slums.
“Joe!” I protested. “Those men aren’t criminals. I talked to that
Irishman, and he hasn’t sense enough to be a criminal.”
“The railroads are watched,” repeated Kinney. “Do HONEST men care a darn
whether the railroad is watched or not? Do you care? Do I care? And did
you notice how angry the American got when he found Stumps talking with
you?”
I had noticed it; and I also recalled the fact that Stumps had said
to the lovely lady: “He told me I could come on deck as soon as we
started.”
The words seemed to bear out what Kinney claimed he had overheard. But
not wishing to encourage him, of what I had heard I said nothing.
“He may be dodging a summons,” I suggested. “He is wanted, probably,
only as a witness. It might be a civil suit, or his chauffeur may have
hit somebody.”
Kinney shook his head sadly.
Public-domain text, read in full here on John Shaqi.
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