Burnett looked at him squarely. Crabb's glance never wavered.
"So you _did_ mean it?" said Burnett.
"Every word. You must have it. I'm going to help."
"It's hopeless."
"Perhaps. But the game is worth the candle."
"A bribe to a servant?"
"Leave that to me. Come, come, Ross, it's the chance of your life.
Arnim, Von Schlichter and all the rest of them dine at the British
embassy to-night. There's to be a ball afterward. They won't be back
until late. We must get into Arnim's rooms at the German embassy. Those
rooms are in the rear of the house. There's a rain spout and a back
building. You can climb?"
"To-night?" Burnett gasped. "You found out these things to-day?"
"Since I left you. I saw Denton Thorpe at the British embassy."
"And you were so sure I'd agree! Don't you think, old man----"
"Hang it all, Burnett! I'm not easily deceived. You're down on your
luck; that's plain. But you're not beaten. Any man who can buck the
market down to his last thousand the way you did doesn't lack sand.
The end isn't an ignoble one. You'll be doing the Administration a
service--and yourself. Why, how can you pause?"
Burnett looked around at the familiar fittings of the saloon, at the
Braun prints let into the woodwork, at the flying teal set in the
azure above the wainscoting, at his immaculate host and at his own
conventional black. Was this to be indeed a setting for Machiavellian
conspiracy?
Crabb got up from the table and opened the doors of a large locker under
the companion. Burnett watched him curiously.
Garment after garment he pulled out upon the deck under the glare of the
cabin lamp; shoes, hats and caps, overcoats and clothing of all sizes
and shapes from the braided gray of the coster to the velvet and sash of
the Niçois.
He selected a soft hat and a cap and two long, tattered coats of ancient
cut and style and threw them over the back of a chair. Then he went to
his stateroom and brought out a large square box of tin and placed it
on the table.
He first wrapped a handkerchief around his neck, then seated himself
deliberately before the box, opened the lid and took out a tray filled
with make-up sticks. These he put aside while he drew forth from the
deeper recesses mustachios, whiskers and beards of all shapes and
complexions. He worked rapidly and silently, watching his changing image
in the little mirror set in the box lid.
Burnett, fascinated, followed his skillful fingers as they moved back
and forth, lining here, shading there, not as the actor does for an
effect by the calcium, but carefully, delicately, with the skill of the
art anatomist who knows the bone structure of the face and the pull of
the aging muscles.
In twenty minutes Mortimer Crabb had aged as many years, and now bore
the phiz of a shaggy rum-sot. The long coat, soft hat and rough bandanna
completed the character. The fever of the adventure had mounted in
Burnett's veins. He sprang to his feet with a reckless gesture of final
resolution.
Public-domain text, read in full here on John Shaqi.
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