The Makers of Modern Rome, in Four BooksOliphant, Mrs. (Margaret)
History
The Makers of Modern Rome, in Four Books
Oliphant, Mrs. (Margaret)
Rome (Italy) -- History -- 476-1420
Hadrian's tomb, pausing and sheathing his sword as the long line of
suppliants drew near, is very soothing and human to think of. Fresh
from his studies of Ezekiel or Job, though too sick at heart with
present trouble to continue them, why should he have doubted that the
Hearer of Prayer might thus grant a visible sign of the acceptance
which He had promised? We do not expect such visions nowadays, nor do
we with such intense and united purpose seek them; but the same legend
connects itself with many such periods of national extremity. So late
as the Great Plague of London a similar great figure, radiant in
celestial whiteness, was also reported to be seen as the pestilence
abated, sheathing, in the same imagery, a blazing sword.
The story of the septiform litany relates how here and there in the
streets as they marched the dead and dying fell out of the very ranks
of the suppliants. But yet the angel sheathed his sword. It is hard to
recall the splendid monument of Hadrian with its gleaming marbles and
statues as the pilgrim of to-day approaches the vast but truncated and
heavy round of the Castle of St. Angelo; but it does not require so
great an effort of the mind to recall that scene, when the great angel
standing out against the sky existed but in Gregory's anxious eyes,
and was reflected through the tears of thousands of despairing
spectators, who stood trembling between the Omnipotence which could
save in a moment and the terrible Death which seized and slew while
they were looking on. No human heart can refuse to beat quicker at
such a spectacle--the good man in his rapture of love and earnestness
with his face turned to that radiant Roman sky, and all the dark lines
of people arrested in their march gazing too, the chant dying from
their lips, while the white angel paused for a moment and sheathed the
sword of judgment over their heads.
It was not till many centuries later, when every relic of the glories
of the great Emperor's tomb had been torn from its walls, that the
angel in marble, afterwards succeeded by the present angel in bronze,
was erected on the summit of the Castle of St. Angelo, which derives
from this incident its name--a name now laden with many other
associations and familiar to us all.
Public-domain text, read in full here on John Shaqi.
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