The Makers of Modern Rome, in Four BooksOliphant, Mrs. (Margaret)
History
The Makers of Modern Rome, in Four Books
Oliphant, Mrs. (Margaret)
Rome (Italy) -- History -- 476-1420
The four years that elapsed between his return to his convent and his
election to the Popedom (or to speak more justly the bishopric of
Rome) were years of trouble. In addition to the constant danger of
invasion, the misery, even when that was escaped, of the tales brought
to Rome by the fugitives who took refuge there from all the
surrounding country, in every aggravation of poverty and wretchedness,
and the efforts that had to be made for their succour--a great
inundation of the Tiber, familiar yet terrible disaster from which
Rome has not even now been able to secure herself, took place towards
the end of the period, followed by a terrible pestilence, its natural
result. Gregory was expounding the prophet Ezekiel in one of the Roman
churches at the time of this visitation: but as the plague increased
his sorrowful soul could not bear any bondage of words or thoughts
apart from the awful needs of the moment, and closing the book, he
poured forth his heart to the awed and trembling people, exhorting all
to repent, and to fling themselves upon God's mercy that the
pestilence might be stayed. In all such terrible emergencies it is the
impulse of human nature to take refuge in something that can be done,
and the impulse is no doubt itself of use to relieve the crushing
weight of despair, whatever may be the form it takes.
[Illustration: SAN GREGORIO MAGNO, AND ST. JOHN AND ST. PAUL.]
We clean and scrub and whitewash in our day, and believe in these
ways of arresting the demons; but in old Rome the call for help was
more impressive at least, and probably braced the souls of the
sufferers as even whitewash could not do. The manner in which Gregory
essayed to turn the terrible tide was by a direct appeal to Heaven. He
organised a great simultaneous procession from all the quarters of
Rome to meet at "the Church of the Virgin"--we are not informed
which--in one great united outcry to God for mercy. The septiform
litany, as it was called, was chanted through the desolate streets by
gradually approaching lines, the men married and unmarried, the
priests and monks each approaching in a separate band; while
proceeding from other churches came the women in all their
subdivisions, the wives, the widows, the maidens, the dedicated
virgins, Ancillæ Dei, each line converging towards the centre, each
followed no doubt from windows within which the dying lay with tears
and echoes of prayers. Many great sights there have been in old Rome,
but few could have been more melancholy or impressive than this. We
hear of no miraculous picture, no saintly idol as in later
ceremonials, but only the seven processions with their long-drawn
monotones of penitence, the men by themselves, the women by
themselves, the widows in their mourning, the veiled nuns, the younger
generation, boys and girls, most precious of all. That Gregory should
have had the gift to see, or believe that he saw, a shining angel upon
Public-domain text, read in full here on John Shaqi.
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