The Makers of Modern Rome, in Four BooksOliphant, Mrs. (Margaret)
History
The Makers of Modern Rome, in Four Books
Oliphant, Mrs. (Margaret)
Rome (Italy) -- History -- 476-1420
This is an association full of interest for every Englishman, and has
attracted many pilgrims from the nation whose faith has undergone so
many vicissitudes, and in which the Pope's authority has been as
vehemently decried in one age as strongly upheld in another; but
whatever our opinions on that point may be, there can be nothing here
but affectionate and grateful remembrance of the man of God who had so
long cherished the scheme, which thus at length with fatherly
benedictions and joy at heart, he was able to carry out. He himself
would fain have gone on this mission many years before; but the care
of all the Churches, and the tribulations of a distracted world, had
made that for ever impossible, and he was now growing old, in feeble
health, and with but a few years of work before him. The hearts of the
missionaries were not so strong as that of this great Servant of the
servants of God who sent them away with his blessing. Terrors of the
sea and terrors of the wilds, the long journey and the savage tribes
at the end of it, were in their hearts. When they had got nearly over
their journey and were resting a little to recover their health among
the Gauls,--fierce enough indeed, but still with sanctuaries of peace
and holy brethren among them--before crossing the terrible channel,
Augustine wrote beseeching letters, begging to be recalled. But let us
hope that at the moment of dedication these terrors had scarcely yet
got hold upon them. And to Gregory the occasion was one of unmingled
satisfaction and joy. The Pope did not in those days wear the white
robes which distinguish his dignity now. Gregory was presumably
indifferent to such signs and tokens; for in the portrait of him which
still exists in the description given of it by John the Deacon, he
wears a dress scarcely distinguishable from the ordinary dress of a
layman. But as he stood upon the steps in front of the church,
separated from all the attendants, and raised his hands in blessing,
the scene is one that any painter might covet, and which to many a
visitor from these distant islands of the seas will make the little
Piazza di San Gregorio more interesting in its simplicity than any
other spot in storied Rome.
Public-domain text, read in full here on John Shaqi.
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