"This man," adds the implacable satirist in another letter, "was born in the deepest poverty, brought up under the thatch of a peasant's cottage, with scarcely enough of black bread and millet to satisfy the cravings of his appetite; yet now he is fastidious and hard to please, disdaining honey and the finest flour. An expert in the science of the table, he knows every kind of fish by name, and whence come the best oysters, and what district produces the birds of finest savour. He cares only for what is rare and unwholesome. In another kind of vice he is not less remarkable; his mania is to lie in wait for old men and women without children. He besieges their beds when they are ill, serves them in the most disgusting offices, more humble and servile than any nurse. When the doctor enters he trembles, asking with a faltering voice how the patient is, if there is any hope of saving him. If there is any hope, if the disease is cured, the priest disappears with regrets for his loss of time, cursing the wretched old man who insists on living to be as old as Methusalem." The last accusation, which has been the reproach of the Church in many different ages, had just been specially condemned by a law of the Emperor Valentinian I., declaring null and void all legacies made to priests, a law which called forth Jerome's furious denunciation, not of itself, but of the abuse which called it forth. This was a graver matter than the onslaught upon the curled darlings of the priesthood, more like bridegrooms than priests, who carried the news from boudoir to boudoir, and laid their entertainers under contribution for the bibelots and ancient bric-a-brac which their hearts desired. Thus wherever the eye turned there was nothing but luxury and the love of luxury, foolish display, extravagance and emulation in all the arts of prodigality, a life without gravity, without serious occupation, with nothing in it to justify the existence of those human creatures standing between earth and heaven, and capable of so many better things. The revulsion, a revulsion inspired by disgust and not without extravagance in its new way, was sure to come. [Illustration: THE PALATINE, FROM THE AVENTINE.] [Illustration: THE RIPETTA.] CHAPTER II. THE PALACE ON THE AVENTINE.