The Makers of Modern Rome, in Four Books — John Shaqi
The Makers of Modern Rome, in Four BooksOliphant, Mrs. (Margaret)
History
The Makers of Modern Rome, in Four Books
Oliphant, Mrs. (Margaret)
Rome (Italy) -- History -- 476-1420
Among the ladies was the child of the house, the little girl who was
her mother's excuse for retaining the freedom of her widowhood,
Marcella: a thoughtful and pensive child, devouring all these
wonderful tales, listening to everything and laying up a store of
silent resolutions and fancies in her heart. Her elder sister Asella
would seem to have already secluded herself in precocious devotion
from the family, or at least is not referred to. The story which
touched the general mind of the time with so strange and strong an
enthusiasm, fell into the virgin soil of this young spirit like the
seed of a new life. But the little Roman maiden was no ascetic. She
had evidently no impulse, as some young devotees have had, to set out
barefoot in search of suffering. When Athanasius left Rome, he left in
the house which had received him so kindly his life of St. Antony, the
first copy which had been seen in the Western world. This manuscript,
written perhaps by the hand of one of those wonderful monks, the
strangest figures in her luxurious world whom Marcella knew, became
the treasure of her youth. Such a present, at such a time, was enough
to occupy the visionary silence of a girl's life, often so full of
dreams unknown and unsearchable even to her nearest surroundings. She
went through however the usual routine of a young lady's life in Rome.
Madame Albina the mother, though full of interest and curiosity in
respect to all things intellectual and Christian, held still more
dearly a mother's natural desire to see her only remaining child nobly
married and established in the splendour and eminence to which she was
born. We are told that Marcella grew up to be one of the beauties of
Rome, but as this is an inalienable qualification of all these
beautiful souls, it is not necessary to believe that the "insignem
decorem corporis" meant any extraordinary distinction. She carried out
at all events her natural fate and married a rich and noble husband,
of whom however we know no details, except that he died some months
after, leaving her without child or tie to the ordinary life of the
world, in all the freedom of widowhood, at a very early age.
Public-domain text, read in full here on John Shaqi.
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