The character and position of these ladies was not perhaps so much different as we might suppose from those of the court of Louis XIV. or any other historical period in which great luxuries and much dissipation had sickened the heart of all that was good and noble. Yet there were very special characteristics in their lot. Some of them were the wives of pagan officials of the empire, holding a sometimes devious and always agitated course through the troubles of a divided household: and there were many young widows perplexed with projects of remarriage, of whom some would be tempted by the prospects of a triumphant re-entry into the full enjoyments of life, although a larger number were probably resistant and alarmed, anxious to retain their freedom, or to devote themselves as Marcella had done to a higher life. Women of fashion not unwilling to add a devotion _à la mode_ to their other distractions, women of intellectual aspirations, lovers of the higher education, seekers after a society altogether brilliant and new, without any special emotions of religious feeling, no doubt filled up the ranks. "A society," says Thierry, in his _Life of Jerome_, "of rich and influential women, belonging for the great part to patrician families, thus organised itself, and the oratory on the Aventine became a seat of lay influence and power which the clergy themselves were soon compelled to reckon with." The heads of the community bore the noblest names in Rome, which however at that period of universal deterioration was not always a guarantee of noble birth, since the greatest names were sometimes assumed with the slenderest of claims to their honours. Marcella's sister, Asella, older than the rest, and a sort of mother among them, had for a long time before "lived the life" in obscurity and humbleness, and several others not remarkable in the record, were prominent associates. The actual members of the community, however, are not so much remarked or dwelt upon as the visitors who came and went, not all of them of consistent religious character, ladies of the great world. One of these, Fabiola, affords an amusing episode in the graver tale, the contrast of a butterfly of society, a _grande dame_ of fascinating manners, airs, and graces, unfortunate in her husbands, of whom she had two, one of them divorced--and not quite unwilling to divorce the second and try her luck again. Another, one of the most important of all in family and pretensions, and by far the most important in history of these constant visitors, was Paula, a descendant (collateral, the link being of the lightest and easiest kind, as was characteristic of the time) of the great Æmilius Paulus, the daughter of a distinguished Greek who claimed to be descended from Agamemnon, and widow of another who claimed Æneas as his ancestor. These large claims apart, she was certainly a great lady in every sense of the word, delicate, luxurious, following all the fashions of the time.