The Makers of Modern Rome, in Four BooksOliphant, Mrs. (Margaret)
History
The Makers of Modern Rome, in Four Books
Oliphant, Mrs. (Margaret)
Rome (Italy) -- History -- 476-1420
Petrarch was but twenty-two, a student at Bologna when young Colonna,
a boy himself, took, as we say, a fancy for him, "not knowing who I
was or whence I came, and only by my dress perceiving that what he was
I also was, a scholar." It was in his old age that Petrarch gave to
another friend a description of this early patron, younger apparently
than himself, who opened to him the doors of that higher social life
which were not always open to a poet, even in those days when the
patronage of the great was everything. "I think there never was a man
in the world greater than he or more gracious, more kind, more able,
more wise, more good, more moderate in good fortune, more constant and
strong against adversity," he writes in the calm of his age, some
forty years after the beginning of this friendship and long after the
death of Giacomo Colonna. When the young bishop first went to his
diocese Petrarch accompanied him. "Oh flying time, oh hurrying life!"
he cries. "Forty-four years have passed since then, but never have I
spent so happy a summer." On his return from this visit the bishop
made his friend acquainted with his brother Giovanni, the Cardinal, a
man "good and innocent more than Cardinals are wont to be." "And the
same may be said," Petrarch adds, "of the other brothers, and of the
magnanimous Stefano, their father, of whom, as Crispus says of
Carthage, it is better to be silent than to say little." This is a
description too good, perhaps, to be true of an entire family,
especially of Roman nobles and ecclesiastics in the middle of the
fourteenth century, between the disorderly and oppressed city of Rome,
and the corrupt court of Avignon: but at least it shows the other
point of view, the different aspect which the same man bears in
different eyes: though Petrarch's enthusiasm for his matchless friends
is perhaps as much too exalted as the denunciations of the populace
and the popular orator are excessive on the other side.
Public-domain text, read in full here on John Shaqi.
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