The Makers of Modern Rome, in Four Books — John Shaqi
The Makers of Modern Rome, in Four BooksOliphant, Mrs. (Margaret)
History
The Makers of Modern Rome, in Four Books
Oliphant, Mrs. (Margaret)
Rome (Italy) -- History -- 476-1420
It is curious to find how completely the principle of the association
and friendship of a man and woman, failing closer ties, was adopted
and recognised among these mystics and ascetics, without apparent fear
of the comments of the world, or any of the self-consciousness which
so often spoils such a relationship in ordinary society. Perhaps the
gossips smiled even then upon the close alliance of Jerome with Paula,
or Rufinus with Melania. There were calumnies abroad of the coarsest
sort, as was inevitable; but neither monk nor lady seem to have been
affected by them. It has constantly been so in the history of the
Church, and it is interesting to collect such repeated testimony from
the most unlikely quarter, to the advantage of this natural
association. Women have had hard measure from Catholic doctors and
saints. Their conventional position, so to speak, is that of the
Seductress, always studying how to draw the thoughts of men away from
higher things. The East and the West, though so much apart on other
points, are at one in this. From the anguish of the fathers in the
desert to the supposed difficulties of the humblest ordinary priest of
modern times, the disturbing influence is always supposed to be that
of the woman. Gruesome figure as he was for any such temptation,
Antony of Egypt himself was driven to extremity by the mere thought of
her: and it is she who figures as danger or as victim in every
ultra-Protestant plaint over the condition of the priest (except in
Ireland, wonderful island of contradictions! where priests and all men
are more moved to fighting than to love). Yet notwithstanding there
has been no founder of ecclesiastical institutions, no reformer,
scarcely any saint, who has not been accompanied by the special
friendship and affection of some woman. Jerome, who was so much the
reverse, if we may venture to use these words, of a drawing-room hero,
a man more used to vituperation than to gentleness of speech, often
harsh as the desert from which he had come, was a notable example of
this rule. From the time of his arrival on the Aventine to that of his
death, his name was never dissociated from that of Paula, the pious
lady _par excellence_ of the group, the exquisite and delicate
patrician who could scarcely plant her golden shoe firmly on the
floor, but came tottering into Marcella's great house with a slave on
either side to support her, in all the languid grace which was the
highest fashion of the time. That such an example of conventional
delicacy and luxury should have become the humble friend and secretary
of Jerome, and that he, the pious solitary, acrid with opposition and
controversy, should have found in this fine flower of society his
life-long companion, both in labour and life, is more astonishing than
words can say.
[Illustration: THE STEPS OF THE CAPITOL.]
Public-domain text, read in full here on John Shaqi.
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