The Makers of Modern Rome, in Four BooksOliphant, Mrs. (Margaret)
History
The Makers of Modern Rome, in Four Books
Oliphant, Mrs. (Margaret)
Rome (Italy) -- History -- 476-1420
It is indeed a touching association with that portion of Scripture
which next to the Gospel is most dear to the devout, that the
translation still in daily use throughout the churches of Continental
Europe, the sonorous and noble words which amid all the babble of
different tongues still form a large universal language, of which all
have at least a conventional understanding--should have been thus
transcribed and perfected for the use of the generations. Jerome is no
gentle hero, and, truth to tell, has never been much loved in the
Church which yet owes so much to him. Yet there is no other work of
the kind which carries with it so many soft and tender associations.
The cave at Bethlehem is as little adapted as a scene for that
domestic combination as Jerome is naturally adapted to be its centre.
And no doubt there are unkindly critics who will describe this austere
yet beautiful interior as the workshop of two poor female slaves
dragged after him by the tyranny of their grim taskmaster to do his
work for him. No such idea is consistent with the record. The gentle
Paula was a woman of high spirit as well as of much grace and
courtesy, steadfastness and humour, the last the most unusual quality
of all. The imaginative devotion which had induced her to learn Hebrew
in order to sing the Psalmist's songs in the original, among the
little band of Souls, under Marcella's gilded roof, had its natural
evolution in the gentle pressure laid upon Jerome to make of them an
authoritative translation: and where could so fit a place for this
work have been found as in the delightful rest after their travels
were over, in the very scene where these sacred songs were first
begun? It would be almost as impertinent and foolish to suppose that
any modern doubt of their authenticity existed in Paula's mind as to
suggest that these were forced and dreary labours to which she was
driven by a spiritual tyrant. To our mind this mutual labour and study
adds the last charm to their companionship. The sprightly, gentle
woman who shed so much light over that curious self-denying yet
self-indulgent life, and the grave young daughter who never left her
side, whose gentle shadow is one with her, so that while Paula lived
we cannot distinguish them apart--must have found a quiet happiness
above all they had calculated on in this delightful intercourse and
work. Their minds and thoughts occupied by the charm of noble poetry,
by the puzzle of words to be cleared and combined aright, and by
constant employment in a matter which interested them so deeply, which
is perhaps the best of all--must have drawn closer and ever closer,
mother to child, and child to mother, as well as both to the friend
and father whom they delighted to serve, and whose large intellect and
knowledge kept theirs going in constant sympathy--not unmingled with
now and then a little opposition, and the pleasant stir of independent
opinion.
Public-domain text, read in full here on John Shaqi.
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