portion of the Scriptures in the original; and it was at their entreaty and with their help that he began the translation of the Psalms, so deeply appropriate to this scene, in which the voice of the shepherd of Bethlehem could almost be heard, singing as he led his flock about the little hills. I quote from M. Amédée Thierry a sympathetic description of the method of this work as it was carried out in the rocky chamber at Bethlehem, or in the convent close by. His two friends charged themselves with the task of collecting all the materials, and this edition, prepared by their care, is that which remains in the Church under Jerome's name. We have his own instructions to them for this work, even to the lines traced for greater exactness, and the explanation of the signs which he had adopted in the collation of the different versions with his text, sometimes a line underscored, sometimes an obelisk or asterisk. A comma followed by two points indicated the cutting out of superfluous words coming from some paraphrase of the Septuagint; a star followed by two points showed, on the contrary, where passages had to be inserted from the Hebrew; another mark denoted passages borrowed from the translation of Theodosius, slightly different from the Septuagint as to the simplicity of the language. In reading these various symbols it is pleasant to think of the two noble Roman ladies seated before the vast desk upon which were spread the numerous manuscripts, Greek, Hebrew, and Latin--the Hebrew text of the Bible, the different editions of the Septuagint, the Hexapla of Origen, Theodosius, Symmachus, Aquila, and the Italian Vulgate--whilst they examined and compared, reducing to order under their hands, with piety and joy, that Psalter of St. Jerome which we still sing, at least the greater part of it, in the Latin Church at the present day.