England -- Social life and customs -- 20th century -- Fiction; English fiction -- 20th century; Journalists -- Fiction
Mrs. Le Moine was playing again, quite differently; all the passion and
the wildness were gone now; she was playing a sixteenth century tune,
curiously naïf and tender and engaging, and objective, like a child’s
singing, or Jane Dawn’s drawings. The detachment of it, the utter
self-obliteration, pleased Eddy even more than the passion of the dance;
here was genius at its highest. It seemed to him very wonderful that she
should be giving of her best so lavishly to a roomful of ignorant
Borough lads; very wonderful, and at the same time very characteristic
of her wayward, quixotic, self-pleasing generosity, that he fancied was
neither based on any principle, nor restrained by any considerations of
prudence. She would always, he imagined, give just what she felt
inclined, and when she felt inclined, whatever the gifts she dealt in.
Anyhow she had become immensely popular in the club-room. The admiration
roused by her music was increased by the queer charm she carried with
her. She stood about among the boys for a little, talking. She told them
about the tunes, what they were and whence they came; she whistled a bar
here and there, and they took it up from her; she had asked which they
had liked, and why.
“In my Settlement up by the Lea,” said Datcherd to Eddy, “she’s got some
of the tunes out into the streets already. You hear them being whistled
as the men go to work.”
Eddy looked at Hillier, to see if he hadn’t been softened by this
wonderful evening. Hillier, of course, had liked the music; anyone
would. But his moral sense had a fine power of holding itself severely
aloof from conversion by any but moral suasions. He was genially
chatting with the boys, as usual--Hillier was delightful with boys and
girls, and immensely popular--but Eddy suspected him unchanged in his
attitude towards the visitors. Eddy, for music like that, would have
loved a Mrs. Pendennis (had she been capable of producing it) let alone
anyone so likeable as Eileen Le Moine. Hillier, less susceptible to
influence, still sat in judgment.
Flushed and bright-eyed, Eddy made his way to Mrs. Le Moine.
“I say, thanks most awfully,” he said. “I knew it was going to be
wonderful, but I didn’t know how wonderful. I shall come to all your
concerts now.”
Hillier overheard that, and his brows rose a little. He didn’t see how
Eddy was going to make the time to attend all Mrs. Le Moine’s concerts;
it would mean missing club nights, and whole afternoons. In his opinion,
Eddy, for a parish worker, went too much out of the parish already.
Mrs. Le Moine said, with her usual lack of circumlocution, “I’ll come
again next Monday. Shall I? I would like to get the music thoroughly
into their heads; they’re keen enough to make it worth while.”
Eddy said promptly, “Oh, will you really? How splendid.”
Public-domain text, read in full here on John Shaqi.
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