England -- Social life and customs -- 20th century -- Fiction; English fiction -- 20th century; Journalists -- Fiction
That is good, and the main qualification for success.”
Thus Miss Hogan babbled on, partly because she always did, partly
because the young man looked rather strained, and she was afraid if she
paused that he might say how sad he was at Eileen’s going, and she
believed these things better unexpressed. He wasn’t the only young man
who was fond of Eileen, and Miss Hogan had her own ideas as to how to
deal with such emotions. She didn’t believe it went deep with Eddy, or
that he would admit to himself any emotion at all beyond friendship,
owing to his own views as to what was right, not to speak of what was
sensible; and no doubt if left to himself for a month or so, he would
manage to recover entirely. It would be so obviously silly, as well as
wrong, to fall in love with Eileen Le Moine, and Bridget did not believe
Eddy, in spite of some confusion in his mental outlook, to be really
silly.
She directed the conversation on to the picture-show she had just been
to, and that reminded her of Sally Peters.
“Did you hear what the stupid child’s done? Joined the Wild Women, and
jabbed her umbrella into a lot of Post Impressionists in the Grafton
Galleries. Of course they caught her at it--the clumsiest child!--and
took her up on the spot, and she’s coming up for trial to-morrow with
three other lunatics, old enough to know better than to lead an ignorant
baby like that into mischief. I expect she’ll get a month, and serve her
right. I suppose she’ll go on hunger-strike; but she’s so plump that it
will probably affect her health not unfavourably. I don’t know who got
hold of her; doubtless some mad and bad creatures who saw she had no
more sense than a little owl, and set her blundering into shop-windows
and picture-glasses like a young blue-bottle.... By the way, though you
are, I know, so many things, I feel sure you draw the line at the
militants.”
Eddy said he thought he saw their point of view.
“Point of view! They’ve not one,” Miss Hogan cried. “I suppose, like
other decent people, you want women to have votes! Well, you must grant
they’ve spoilt any chance of _that_, anyhow--smashed up the whole
suffrage campaign with their horrible jabbing umbrellas and absurd
little bombs.”
Eddy granted that. “They’ve smashed the suffrage, for the present, yes.
Poor things.” He reflected for a moment on these unfortunate persons,
and added, “But I do see what they mean, all the same. They smash and
spoil and hurt things and people and causes, because they are stupid
with anger; but they’ve got things to be angry about, after all. Oh, I
admit they’re very, very stupid and inartistic, and hopelessly
unaesthetic and British and unimaginative and cruel and without any
humour at all--but I do see what they mean, in a way.”
“Well, don’t explain it to me, then, because I’ve heard it at first-hand
far too often lately.”
Public-domain text, read in full here on John Shaqi.
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