The Making Of A Novelist: An Experiment In Autobiography — John Shaqi
The Making Of A Novelist: An Experiment In AutobiographyMurray, David Christie
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The Making Of A Novelist: An Experiment In Autobiography
Murray, David Christie
Murray, David Christie, 1847-1907; Novelists, English -- 19th century -- Biography
At this distance of time I can write dispassionately; but for many years
I had recollections of petty tyrannies which made my blood boil. There
was a lanky youth, four or five months older in the regiment than
myself, who was related to one of the sergeant-majors, and who was, of
course, booked by his relative for promotion. It was never, so far as
I can learn, a part of army etiquette, but it was a common practice at
that time, to steal the belongings of a new arrival, and in that way to
eke out a deficiency in the kit of the plunderer. My valise had not been
served out to me a week before it was denuded of one-half its contents,
and I was reduced to a draft of one penny a day for pocket-money until
such time as the depredations were made good. The sergeant-major's
nephew was found in the act of pipeclaying a pair of gauntlet gloves
which bore my number, and the immediate consequence of this was a
stand-up fight in the riding-school in the presence of some fifty
or sixty of the men and two or three officers who looked on from
the gallery. I came out more than conqueror and recovered the stolen
property; but the lanky young man was made lance-corporal next week, and
it became part of his duty to instruct me in military exercises in which
I was far more proficient than himself. It became a regular habit of his
to keep me at work while the rest of the squad stood at ease, and he had
a vocabulary which, though limited and unoriginal, was as offensive as
can easily be conceived.
He applied to me at last so vile an epithet that, in the heat of
the moment, I forgot that I had a sabre in my hand, and, hitting out
straight from the shoulder, I landed him on the mouth with the guard of
the weapon. This, of course, was flat mutiny, and before I knew where
I was I was seized from behind, the sabre whirled in the air, and I was
lying all abroad with a sprained wrist. Then I was solemnly marched to
the guardroom, and there taken in charge to await an interview with the
colonel in the morning.
One of the men on guard had borrowed from the regimental library a
copy of Charles Reades 'It is Never too Late to Mend,' and I read that
masterpiece all the afternoon and as long into the night as the waning
light would allow. The guard-room bed, with its sloping board and wooden
pillow, made no very luxurious sleeping-place, and I was up at daylight
to finish the most absorbing and enchanting story I had ever, until
then, encountered. The book retains a great portion of its old charm and
power until this day for me, but at that time it shut out everything;
and though, for aught I knew to the contrary, I might be sentenced to
be flogged or shot, I resigned myself to the spell of the story as
completely as if the future had been altogether clear. The colonel was
rather dreadful when the time came, and I remember one axiom which I got
from him in the first three minutes of our interview.
'Well, what have you to say for yourself?'
Public-domain text, read in full here on John Shaqi.
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