England -- Social life and customs -- 19th century -- Fiction
Not being able to explain that what he wanted was not so much a
secretary as a pretty girl to amuse him, he said with his usual smile
that he was delighted, and proceeded to dictate various uninteresting
letters of a business-like character.
"So you live in the Temple," she observed, as she folded up a letter
to his housekeeper. "Isn't it a gloriously romantic place to live in?"
"It is convenient," said Paul briefly. And that was all the
conversation they had that day.
He wanted no letters written the next day, and she read the paper to
him instead. But Miss Esther stayed in the room all the time, with her
knitting, and there was no conversation that day either. On the third
day, however, her aunt was wanted in the parish; and she deputed the
Rector to take her place in the sick room. She might have known that
he would forget all about it, directly she was gone; but Miss Esther
always acted on the assumption that her brother possessed all the
excellent qualities she wished him to have, and it never occurred to
her that he would spend the afternoon in finishing his paper on the
antiquities of the county.
"Aunt Esther has gone to see a poor woman who has lost her baby. I
never can imagine why a woman who has lost her baby should be visited
just because she is poor. Can you?" said Katharine, as she settled
herself on the spare-room window-seat with her writing materials.
"No," said Paul, concealing his satisfaction that Miss Esther was of a
different opinion. "You needn't bother about writing any letters
to-day, thanks," he continued carelessly; "and I don't think I want to
hear the paper, either."
"Don't you? oh!" said Katharine, looking disappointed. "Then there's
nothing I can do for you?"
"Oh, yes. You can talk, if you will," said Paul, smiling. "Come and
sit on the chair at the end of the bed, where you sat the first day
you came in. I can see you, then."
"It is ever so much nicer to see the person you are talking to, isn't
it?" observed Katharine, as she obeyed his suggestion.
"Much nicer," assented Paul, though it had never occurred to him to
suggest that Miss Esther should occupy that particular chair. "Now
then, talk, please!"
Katharine made a sign of dismay.
"I can't," she said. "You begin."
"Who is your favourite poet?" asked Paul solemnly. She disconcerted
him by taking his question seriously, and he had to listen to her
enthusiastic eulogies of several favourite poets, before he had an
opportunity of explaining himself.
She detected him in the act of suppressing a yawn, and she stopped
suddenly, in the middle of a sentence.
"I believe I am boring you dreadfully. Shall I go?" she asked. The
colour had come into her cheeks, and her voice had a note of distress
in it.
"I want you to tell me something, first," was his unexpected reply.
"Do you talk about poetry to young Morton?"
Public-domain text, read in full here on John Shaqi.
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