England -- Social life and customs -- 19th century -- Fiction
"Good-night, dear," he said, as he turned away. And his tone haunted
her rather, as she groped her way up to bed in the dark. She began to
feel half afraid, with some annoyance at the thought, that this
pleasant state of things could not go on for ever, and that Ted was
going to spoil it all again as he had done once before, by taking
their relationship seriously. So she prepared to meet him, the next
afternoon, with a reserve of manner that was meant to indicate her
displeasure; but he disconcerted her very much by asking her bluntly
why the dickens she was playing so poorly; and she felt unreasonably
annoyed to find that her fears were groundless. So for some time
longer they went on as before, in the same happy-go-lucky kind of way
that had always characterised them. She learned to know several of his
friends, most of them genuine boyish fellows, who appealed to her more
by their affection for Ted than by any qualities they possessed
themselves. They seemed very much alike, though she was bound to
acknowledge that this impression may have been conveyed by the cut of
their clothes and the shape of their hats, which did not differ by so
much as a hair's breadth. But Ted always shone by comparison with the
best of them. He was the only one of his set who did not take himself
seriously; he had a sense of humour, too, and this compensated for the
exhausted manner which he felt obliged to assume as a mark of
fellowship with them.
He asked her, one night, with some diffidence, if she would mind
coming to tea in his chambers on the following Sunday.
"I shouldn't think of asking you to come alone," he hastened to add;
"but Monty is going to bring his sister along, so that's all square as
long as you don't mind."
"Mind! Why, of course not," said Katharine, in frank astonishment.
"What is there to mind? I want to see your chambers very much. I have
often wondered why you never asked me before."
Ted stared at her for a moment, and then began tracing what remained
of the pattern in the linoleum with his walking stick. They were
standing, as usual, in the hall of number ten, Queen's Crescent.
"What a babe you are, Kitty!" he said, without looking up; and
Katharine reddened as she suddenly realised his meaning. Of course Ted
was no longer a boy, and she was no longer a child; and she was on
precisely the same footing with him in the eyes of the world as she
was with Paul Wilton. Unconsciously, she compared the attitude of the
two men under similar circumstances; Paul, who was unscrupulous in
letting her visit him as long as no one knew of it; and Ted, who had
no views on the matter at all but merely wished to spare her any
annoyance.
"I see," she said. "Who is Monty?" She always felt nervous when he
offered to introduce her to any of his friends; because she knew very
well that he warned them all beforehand that she had "ideas," and this
put her at a distinct disadvantage to begin with.
Public-domain text, read in full here on John Shaqi.
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