England -- Social life and customs -- 19th century -- Fiction
"Oh, Monty's awfully smart! He knows no end. You'll like Monty, I
expect. He wants to meet you, awfully; says he likes the look of your
photograph. I told him how bally clever you were, and all that.
Monty's clever, too; he reads Ibsen."
Katharine received this proof of Monty's intellectual ability with
some cynicism which, however, she was careful to conceal.
"I shall be delighted to meet him," she said. "What time shall I
come?"
"Oh, any time; four will do. And, I say, Kit, I suppose I must have
cream, mustn't I? You can't give Monty milk that's been sitting for
hours, and spoof him that it's cream. I've done that sometimes, but
you can't spoof Monty."
"Oh, I'll bring the cream. I know a shop where they'll let me have it
on Sunday," said Katharine confidently; and Ted left comforted.
After all, Monty's sister could not come; but Ted's sense of the
fitness of things was satisfied by his having asked her, and, as Monty
himself came and did not seem afraid of Katharine as all his other
friends were, he felt that his tea-party was a success. The only thing
that marred his enjoyment was the fact that Katharine, for some
unaccountable caprice, refused to be intellectual in spite of the
efforts of Monty, whose real name proved to be Montague, to draw her
out. Monty was a young man with a gentlemanly view of life, tempered
by a great desire to be thought advanced; and he began the
conversation with a will.
"Awfully clever new thing at the Royalty! Suppose you've seen it, Miss
Austen?" he began. "Awfully plucky of the Independent Theatre to put
it on, it is really."
"Is it?" smiled Katharine. "I haven't seen it yet. Ted and I hate
those advanced plays,--they're so slow as a rule. Comic operas, we
like best."
Monty seemed surprised; and Ted was a little disconcerted by this
frank avowal of his own ordinary tastes.
"You see, Kit only goes to those things to please me," he said,
apologetically. "She's just as keen on all those humpy plays as you
are, don't you know?"
Monty was not sure that he knew, but he turned to another branch of
art.
"Talking about posters," he said,--which was only his favourite method
of opening a conversation, for nobody was talking about posters at
all,--"have you seen that awfully clever one of the new paper, 'The
Future'? It's by quite a new man, in the French style, so bold and yet
so subtle. But of course you must have seen it."
"Oh, yes," laughed Katharine, "I should think I had! You mean the red
one, don't you, with a black sun and a cactus thing, and a lot of
spots all over it? Ted and I were laughing at it, only yesterday. Do
you really think it is good?"
Monty said he really did think so; and Ted, who was torn in two by his
admiration for both of them, came to his rescue.
"You had better be careful, Kitty," he said, anxiously. "Monty does
know."
"Of course," said Katharine politely, "it is only a matter of taste,
isn't it, Mr. Montague?"
Public-domain text, read in full here on John Shaqi.
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