THE MAKING OF MONA.
BY MABEL QUILLER-COUCH.
(Author of 'Troublesome Ursula,' 'A Pair of Red-Polls,' 'Kitty Trenire,'
'The Carroll Girls', Etc., Etc.)
ILLUSTRATED BY E. WALLCOUSINS.
LONDON
SOCIETY FOR PROMOTING CHRISTIAN KNOWLEDGE.
NEW YORK: THE MACMILLAN COMPANY.
[Illustration: Granny stood staring at her broken treasures.]
CHAPTER I.
The kettle sat on the hob, and Mona sat on the floor, both as idle as idle
could be.
"I will just wait till the kettle begins to sing," thought Mona; and
became absorbed in her book again.
After a while the kettle, at any rate, seemed to repent of its laziness,
for it began to hum softly, and then to hum loudly, and then to sing, but
Mona was completely lost in the story she was reading, and had no mind for
repentance or anything else. She did not hear the kettle's song, nor even
the rattling of its cover when it boiled, though it seemed to be trying in
every way to attract her attention. It went on trying, too, until at last
it had no power to try any longer, for the fire had died low, and the
kettle grew so chilly it had not even the heart to 'hum,' but sat on the
black, gloomy-looking stove, looking black and gloomy too, and, if kettles
have any power to think, it was probably thinking that poor old granny
Barnes' tea would be scarcely worth drinking when she came home presently,
tired and hungry, from her walk to Milbrook, for Mona, even if she
realised that the water had boiled, would never dream of emptying it away
and filling the kettle afresh, as she should do.
But Mona had no thought for kettles, or tea, or granny either, for her
whole mind, her eyes, her ears, and all her senses were with the heroine
of the fascinating story she was absorbed in; and who could remember fires
and kettles and other commonplace things when one was driving through a
lovely park in a beautiful pony carriage, drawn by cream-coloured ponies,
and seated beside an exquisitely dressed little lady who had more money
than she could count, and insisted on sharing all with her companion?
Mona certainly could not. She never could manage to remember two things
at the same time; so, as all her thoughts were absorbed by her
golden-haired friend in the blue silk frock, granny in her old black
merino and heavy boots was forgotten as completely as the fire, and it was
not until someone came stumbling up the garden path and a tired voice
said, "Well, dearie, I'm come at last, how have you got on since I've been
gone?" that she remembered anything about either; and when she did she
felt almost sorry that granny had come quite so soon, for if she had only
been a few minutes later Mona might just have finished the chapter.
Public-domain text, read in full here on John Shaqi.
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