luncheon Frau Brohl and Frau Marker noticed his absence, and went to
look for him; as they had taken no notice of him for so long, they were
not aware how shriveled and emaciated he had grown, and were now
shocked and astonished to see how miserable and frail he was. They sent
for a doctor; Frau Brohl made some elder tea; Frau Marker sat up all
night by the sick-bed, but nothing could be done. A few days later he
died, with a look of hatred at his mother-in-law, and a movement of
aversion from his wife.
Nothing was changed in the household; there was another place at table
and a room at liberty, which was soon filled with the things
overflowing from the drawing-room. Frau Brohl still had a passion for
preserving and pickling, which had descended to her daughter and her
granddaughter, and also a passion for needle-work. Year in and year out
the three sat at the window of their drawing-room over embroidery,
lace-making, and such like, working as if they had to earn their daily
bread. They were mistresses of all kinds of fancy work, and invented
many more.
Frau Brohl was unequaled in her inventions of new kinds of work. Such
things as book-markers and slippers, paper-baskets, bed-quilts and
tablecloths, card-baskets, and chair-cushions were all too simple--the
mere a b c of the art. Wonders like embroidered pictures for the walls,
various kinds of fringes for the legs of pianos, fireplace hangings,
gold nets for window-curtains, mottoes for the canary's cage, silk
covers for books, were the order of the day. When any one came in he
was first struck with surprise, which quickly changed to bewilderment.
Wherever he looked his eye fell on some piece of work, with no repose
or unadorned space. Here a row of family portraits, in plush and gold
frames, all looking stiff and uninteresting--on inspecting them at
close quarters, they were seen to be not painted but embroidered in
colored silks. There hung a melon, the outside of the fruit represented
by yellow, green, and brown satin, the stalk by gold thread, the little
cracks and roughnesses by gray silk applique, the whole thing fearful
and absurd in its exuberance. And wherever one went or stood, sat down
or laid one's hand, there wandered a huge wreath of flowers in Berlin
wool, or the profile of a warrior in cross-stitch sneered at one, or a
piece of hanging tapestry of pompous pattern and learned inscriptions
flapped at one, and everything was rich and tedious and terrifying and
shocking in taste; and when one's tired eyes looked out of the triply
be-curtained windows into the street, one fell convinced that little
angels would come down out of the sky clad in what was left over of the
rococo furniture draperies, bordered with gold.
Public-domain text, read in full here on John Shaqi.
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