This unsightly museum of useless things was the occupation of Frau
Brohl and Frau Marker's lives, and here Malvine grew up to be the
pretty girl to whom we have been introduced at the Ellrichs'. Her
mother was a sort of elder sister to her, and the only authority in the
house was the grandmother. She ordered the servants, and her daughter
paid her the same timid reverence as in the time of her short frocks.
Frau Marker seldom opened her lips except to eat, or to answer her
mother in a parrot-like sort of echo. Frau Brohl's energetic spirit
stirred even in these narrow boundaries. She did not feel at home in
Berlin; she met no one she knew in the streets, and in fact knew no
one, and this feeling of being among strangers, as if at some
out-of-the-way fair, made her so uneasy that she hardly ever went out.
Often since Marker's death she had thought of returning to Stettin, but
when she reflected how dreadful it would be to pack up and unpack again
all the thousand pieces of work, her courage failed her. All the same
she lived with her heart and soul in Stettin. A local paper from
Stettin was her only reading. She kept up a regular correspondence with
all her old acquaintances, who gave her news of all the engagements,
marriages, births, and deaths of the rich people she had known. If
Stettin people of good standing came to Berlin she called on them and
invited them to dinner, when her former celebrated triumphs in cookery
were repeated. If she found out that any wealthy inhabitants of Stettin
had been in Berlin without informing her of the fact, she took it so
much to heart that she had to go to bed for a week. A few Stettin
families, who in the course of the year emigrated to the capital,
constituted her circle of visiting acquaintances, enlarged later by
Malvine's school friends, and introductions at their houses. The
connection with the Ellrichs was through the Stettin circle. Frau Brohl
gave a large soiree twice in the course of the winter, when the
invitations they had received were returned. Since Malvine was grown up
there had been dancing, although the small size of the drawing-room,
and the displacement of all Frau Brohl's needlework, set everything in
great confusion.
This kind of life and its surroundings naturally could not develop
Malvine's mind and character in any high degree. She missed any
stimulus from her mother or from her grandmother; she only learned to
respect rich people, to fathom the mysteries of the kitchen, and to
cultivate a taste for peculiar and original fancy work; she was,
however, a good-tempered, rather slow-witted girl, of well-balanced
mind, without a trace of capriciousness or the nervous temperament so
common to city life; within her limited view of things she had a good,
honest intelligence, and with her plump figure and her round, rosy
face, which bore witness to her grandmother's kitchen, she was very
comely in men's eyes.
Public-domain text, read in full here on John Shaqi.
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