The MalefactorOppenheim, E. Phillips (Edward Phillips)
General
The Malefactor
Oppenheim, E. Phillips (Edward Phillips)
Detective and mystery stories; Fiction
“Thirteen years ago,” he said, “two young men--call them by their
Christian names, Wingrave and Lumley--shared a somewhat extensive
hunting box in Leicestershire. They were both of good family, well
off, and fairly popular, Lumley the more so perhaps. He represented the
ordinary type of young Englishman, with a stronger dash than usual
of selfishness. Wingrave stood for other things. He was reticent and
impenetrable. People called him mysterious.”
Lovell paused for a moment to refill his pipe. The sudden light upon
his face, as he struck a match, seemed to bring into vivid prominence
something there, indescribable in words, yet which affected his hearers
equally with the low gravity of his speech. The man himself was feeling
the tragedy of the story he told.
“They seemed,” he continued, “always to get on well together, until they
fell in love with the same woman. Her name we will say was Ruth. She
was the wife of the Master of Hounds with whom they hunted. If I had the
story-writing gifts of Aynesworth here, I would try to describe her. As
I haven’t, I will simply give you a crude idea of what she seemed like
to me.
“She was neither dark nor fair, short nor tall; amongst a crowd of other
women, she seemed undistinguishable by any special gifts; yet when you
had realized her there was no other woman in the room. She had the eyes
of an angel, only they were generally veiled; she had the figure of a
miniature Venus, soft and with delicate curves, which seemed somehow
to be always subtly asserting themselves, although she affected in
her dress an almost puritanical simplicity. Her presence in a room was
always felt at once. There are some women, beautiful or plain, whose sex
one scarcely recognizes. She was not one of these! She seemed to carry
with her the concentrated essence of femininity. Her quiet
movements, the almost noiseless rustling of her clothes, the quaint,
undistinguishable perfumes which she used, her soft, even voice, were
all things which seemed individual to her. She was like a study in
undernotes, and yet”--Lovell paused a moment--“and yet no Spanish
dancing woman, whose dark eyes and voluptuous figure have won her the
crown of the demi-monde, ever possessed that innate and mystic gift of
kindling passion like that woman. I told you I couldn’t describe her! I
can’t! I can only speak of effects. If my story interests you, you must
build up your own idea of her.”
“Becky Sharpe!” Aynesworth murmured.
Lovell nodded.
“Perhaps,” he admitted, “only Ruth was a lady. To go on with my story.
A hunting coterie, as you fellows know, means lots of liberty, and a
general free-and-easiness amongst the sexes, which naturally leads to
flirtations more or less serious. Ruth’s little affairs were either too
cleverly arranged, or too harmless for gossip. Amongst the other women
of the hunt, she seemed outwardly almost demure. But one day--there was
a row!”
Lovell paused, and took a drink from a glass by his side.
Public-domain text, read in full here on John Shaqi.
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